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Carved Figure (Bulto) of Saint Joseph02.257.2425

A polychrome figure (bulto) of Saint Joseph set on a thick wooden base in a frontal pose with one foot in front of the other. He is dressed in a black short-sleeve robe with a red V-neck collar. A yellow cape with a step-shaped border is draped diagonally over the figure's torso. The skin has a yellow pallor and the eyes are painted white with large black pupils. Three floral motifs are painted on the front of the base. Smaller three-pronged motifs embellish the top surface. There is overall gesso and paint loss on the piece and fabric can be seen under the gesso on the back and sides of the base and cape. The entire left forearm has been broken and is missing.

Culture
Zia Pueblo
Material
wood, cloth, gesso and paint
Holding Institution
Brooklyn Museum
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Standing Buffalo1989.10.7

(lower center in photo) Modeled buffalo with indications of hair in his mane and head. His head is raised. He has a hide tail and ears.

Culture
Hopi-Tewa Pueblo
Material
clay, paint and hide
Holding Institution
Brooklyn Museum
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Kachina Doll2010.6.12

Flute (Lenang) Kachina. Associated with bringing water to the springs he appears during the Powamuya ceremony in February. He had the PR arm raised and holds a blue gourd rattle and the wrist has a yarn tie. The PL arm is down holding a flute with feathers dangling from it while the wrist has a carved armband simulating metal with turquoise in the center. His PR leg is raised and painted blue. PL leg is down and painted yellow. Both legs have short blue boots, his knees are striped yellow and blue and both have a band of bells tied to them. The bare chest is painted flesh colored with yellow on the PL breast and blue on the PR. He wears a carved Hopi kilt. On his back he wears a multicolored yellow, blue and red backpack trimmed with red fringed yarn, topped with feathers and lower edged with cotton. Underneath this peeps out a carved wood fox tail. He has a blue face painted with diagonal yellow and black stripes in triangles on the cheeks, slit eyes and triangular mouth. He wears feathers on the back of his long black hair.

Culture
Pueblo and Hopi
Material
cottonwood root, acrylic paint, yarn, metal bell, feather, leather and cotton
Holding Institution
Brooklyn Museum
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Standing Buffalo1989.10.6

Modeled buffalo standing on four, roughly V-shaped tapering legs. Hoofs are not indicated. Tail is modeled with hole below it.(lower left in photo)

Culture
Hopi-Tewa Pueblo
Material
clay and paint
Holding Institution
Brooklyn Museum
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Kachina Doll2010.6.11

Unknown type of Kachina Doll (possibly a Whippers Uncle (Tungwup) Taahaamo). This Kachina stands on both feet with PR arm slightly rose holding a white cane with a feather dangling from it. His PL arm is lower and carries a painted pouch and decorated flat "wand" which has feathers dangling from it. His entire shirt is wood, white and long sleeved with with black yarn ties at his wrists. He has a braided black yarn bandolier across chest from right to left. Wears the traditional Hopi skirt and sash with a carved fox tail in the back. He crouches a bit but both feet are down on base. His mask is helmet style, black with goggle eyes and a fierce open shark-like mouth showing red with white teeth. He has two straight horns, blue with feathers on the tips. Around his face is a white cotton ruff across the top and a fur ruff along the bottom. In the back of his head he has brown striped feathers.

Culture
Pueblo and Hopi
Material
cottonwood root, acrylic paint, yarn, feather, fur, leather and cotton
Holding Institution
Brooklyn Museum
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Headdress for the Blue Corn Dance04.297.5204

Museum Expedition 1904, Museum Collection Fund

Culture
She-we-na
Material
wood, paint and cord
Holding Institution
Brooklyn Museum
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Duck1989.10.5

Roughly modeled duck, (upper left in photo) with a rounded bottom, bulbous body, upturned tail, and head turned to the proper right and slightly upward. At the rear, below the tip of the tail, are two roughly concentric, inverted U-like incised lines. The wings are modeled along the sides of the body. Eyes are small hole punctures, and the beak is modeled.

Culture
Hopi-Tewa Pueblo
Material
clay and paint
Holding Institution
Brooklyn Museum
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Kachina Doll (Hetsululu)07.467.8422

This Kachina possibly represents Hetsululu. This Kachina was so poor he did not have any jewelry, clothes, or moccasins so Hemokatsiki-the grandmother of all Kachinas - rolled some clay into a nice shape and put it on top of his mask. He was then painted in stripes of all the colors used by the Kachinas so he would represent the world. Sometimes he appears barefooted but this doll has been dressed in an additional manner with the high boots. Hetsululu was sent to the village to play a game with the villagers with clay balls. He is considered friendly and now may appear with the mixed dances carrying a bucket of clay balls. Everyone believes that his clay increases rapidly so when he throws clay balls from his bucket they catch them and put them with their corn or bread so that they may also increase.

Culture
She-we-na
Material
wood, fabric, paint, yarn, cornhusk, paper, hide and shell
Holding Institution
Brooklyn Museum
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Beaded Headdress32.2099.32578

Bequest of W.S. Morton Mead

Culture
Blackfoot
Material
bead, hair and paint
Holding Institution
Brooklyn Museum
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Pouch with Painted Geometric Designs63.53.3

Gift of Annette Freund

Culture
Blackfoot
Material
cloth, rawhide hide and paint
Holding Institution
Brooklyn Museum
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