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Shadow Puppet3322/8

Shadow puppet. Made of paper which has been cut and painted to depict a man dressed in black clothes, red stripe down the pants, and orange tie at waist. He wears a tall purple hat with beige fringe on top. He has a thick black moustache and goatee. Operated by three rods. Joints at the shoulders, elbows, hands, waist, and knees. '8' is painted on the collar.

Culture
Chinese
Material
paper, paint, fibre, bamboo grass and metal
Made in
China
Holding Institution
MOA: University of British Columbia
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Shadow Puppet3322/7

Shadow puppet. Made of paper which has been cut and painted to depict a man with a large black cap, black shirt tied at the waist, and beige pants. Operated by three bamboo rods. Joints at the shoulders, elbows, hands, waist, and knees.

Culture
Chinese
Material
paper, paint, fibre, bamboo grass and metal
Made in
China
Holding Institution
MOA: University of British Columbia
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Shadow Puppet3322/4

Shadow puppet of a tiger. Made of paper which has been cut and painted to depict the tiger with orange with black stripes in profile and on all fours. Operated by two rods - one attached at the head, and the other at the tail. Joints at the head, elbows, waist, tail and knees.

Culture
Chinese
Material
paper, paint, fibre and bamboo grass
Made in
China
Holding Institution
MOA: University of British Columbia
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Shadow Puppet3322/3

Shadow puppet of a load of firewood. Made of paper which has been cut and painted to depict the firewood. Two separate cutouts are attached to a rod through notches down their centres. Another rod is tied to the first to extend its length. The firewood is painted brown with a section of red down the centre. Both firewood loads are painted with '3'.

Culture
Chinese
Material
paper, paint, fibre and bamboo grass
Made in
China
Holding Institution
MOA: University of British Columbia
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Tunic3287/1

Amazonian bark cloth vest. Vest is made from a single large piece of bark cloth. The sides are folded inwards and sewn across the shoulders with black thread, with circular cut-outs, on the folded and sewn edges, for arm holes. A teal half circle is drawn on both sides of the garment, with half on the front, and half on the back.

Culture
Interior Amazonia ?
Material
bark, plant fibre, cotton fibre ? and paint
Made in
Pastaza, Ecuador
Holding Institution
MOA: University of British Columbia
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Model Paddle3317/2

Small painted model paddle carved from a single piece of wood. Front painted with formline-style design in black and blue. Initials 'F.A.' and two sets of diagonal painted bands in blue and black on the reverse.

Culture
Tsimshian
Material
wood and paint
Made in
British Columbia, Canada
Holding Institution
MOA: University of British Columbia
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Ancestor Figure3277/22

Female ancestral figure of wood with exposed pointed breasts and female genitalia. Figure stands with arms down at side, and feet that are part of a rounded base. There is twisted fibre cord through her septum, ear holes, around neck and around the waist with longer fringe. The eyes are inset cowrie(?) shells. The figure has a second face on the back of the head which is very to the front. There is a small white square painted on the base.

Culture
New Guinea
Material
wood, paint, cowrie shell ? and fibre
Made in
East Sepik, Papua New Guinea
Holding Institution
MOA: University of British Columbia
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Dance Mask3277/1 a-e

Large dance mask (part a). The wooden mask is oval-shaped, and painted black. Rectangular holes are cut for both the eyes and mouth. Surrounding the mask is a large amount of plant material simulating hair, which is attached to both the mask and wooden frame. The mask is adorned with a headdress consisting of a red woven band, three rows of small circular shells, a single row of cone shells, the remnants of a row of red feathers, and topped with rows of black feathers. A wide strap of plant fibre extends back around the head, and is decorated by four shells on each end. A rattan frame extends down to each side of the mask, with woven fibre and strings of shells attached. Three similar dance wands (parts b-d) of red feathers and bird skin, one of which is still mounted on a wooden handle (part b). An ornament (part e), composed of three pieces that are tied together - a bundle of black feathers, a wrapped stick with a piece of bone, feathers and metal, and another pointed stick piercing a ball-like decoration.

Culture
New Guinea
Material
rattan ?, feather, plant fibre, shell, fibre, bird skin, paint and wood
Made in
Goroka, Eastern Highlands, Papua New Guinea
Holding Institution
MOA: University of British Columbia
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Mask3277/25

Large mask of wood. The eyes are inlaid cowrie shells with painted designs extending out from a star-like centre. Large protruding nose has pig tusks extending out of each nostril, with a string of bird feathers attached on both sides. The forehead, nostrils and chin are decorated with red clay inlaid with small white shells. Long black cassowary feathers extend out of the top of the head. The jaw is lined with a fringe of plant fibre. The face is painted with concentric curved lines extending out from the eyes, and the ears are painted with stripes and have many holes in a vertical line. The back of the mask is painted black.

Culture
New Guinea
Material
wood, pig tusk, cassowary feather, feather, paint, plant fibre, clay, shell and cowrie shell
Made in
East Sepik, Papua New Guinea
Holding Institution
MOA: University of British Columbia
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Pig Whistle3277/26

Painted clay whistle in the form of pig's head. There is a large blowhole in the back of the pig's head, and the eyes form holes for the whistle as well. The face is painted red, the ears greyish, and the back and base of the head are yellow. Designs are painted overtop in black. The letters 'EO' engraved on the base.

Culture
New Guinea
Material
clay and paint
Made in
Eastern Highlands, Papua New Guinea ?
Holding Institution
MOA: University of British Columbia
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