A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red formlines, ovoids, u forms and split u forms visibly cover the entire surface. Two large longitudinal cracks run from the ends towards the centre. A bright pink v-like letter in a circle is inscribed on the plank's underside near the bottom (?). Underside is covered in uniform chisel marks.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs cover the entire surface. Cedar bark stitching or the accompanying holes at both ends of the board. Underside has uniform chisel marks, longitudinal cracks, and two rectangular indentations at either end.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs are visible over the entire surface. Holes for cedar bark stitching at both ends. Underside is covered in uniform chisel marks, has rectangular indentations at both ends, and is inscribed at both ends with a bright pink, encircled number eight.

A long rectangular cedar plank with faded red and black painted Northwest Coast designs imprinted in the surface of the wood. Circular hole on bottom half of plank. Two rectangular notches are horizontally carved to one side of the plank near on side of the centre of the plank and have cedar bark stitching. Two rectangular notches are vertically carved on the bottom and the top end of the plank near the other edge of the plank.

Part a is a carved wooden Bodhisattva figure painted gold which appears to have been glued onto a stand from a large shrine (N2.987 h) and no longer fits in its original box-like shrine. Part b is the small box-like shrine with doors on metal hinges that open outward to reveal gold-walled interior with a wooden platform at the bottom, only partially decorated at the front. At the top is a carved facade painted with a curvilinear flower pattern with one red, white and light blue flower. The outside of the box is painted brown in a wood-like pattern with red calligraphy running vertically on both doors. The right door has carved metalwork all along its edge and a carved metal handle. The edges of the box are rounded.

Kachina figure with black wing shapes on either side of its head to which feathers are attached by string. Head has geometric design with inverted triangles in black with a white line and red and black border; figure is holding a dish with a round object on top and design on bottom; cloak is mainly white with geometric design in grey, black, light green and orange; tunic underneath cloak is black and shoes are grey with orange design and black on bottom.

Red paper maché face mask with three protruding bumps at top, as well as all the way down the centre of the forehead, at sides of mouth, and on chin. Each protruding bump has a gold peak. Six ridges on both sides of forehead with alternating black and white vertical stripes, protruding eyes surrounded by a white teardrop shape bordered in black, large bulbous nose, and open rectangular mouth. Curly black hair is attached at top of head. Black fabric and fabric ties attached at back of mask; inscriptions on inside.

Red face mask with five rows of raised ridges on forehead, teardrop-shaped eyes, wavy raised ridges on both sides extending from bottom of nose to corner of eye and from mouth up to corner of eye, mouth with upturned corners and a small tooth in centre. Skein of hair falls from top of forehead on side. Inscriptions on inside.

Whtie face mask with black painted hair parted in the centre, a red dot on forehead at centre, raised eyebrows with black dots, teardrop-shaped eyes, a red dot on each cheek, and a figure-eight-shaped mouth with red paint inside.

White face mask with raised eyebrows with black dots, teardrop-shaped eyes, protruding nose, and figure-eight-shaped mouthwith red paint on inside. Red fabric and fabric ties attached at back of mask; inscriptions on inside.