Clay pipe fragment consisting of bowl with partial legs and stem. Rim of pipe bowl has been painted black.

The cloth is natural in colour with designs painted in black and brown. There are eight bands and each band is separated by a border. The designs in seven of the bands are interlocking triangles on either a black, brown or natural background. One band has mirror-image rectangles missing one side. The cloth has a thick fringe cut into one side and two long ties on the opposite side. The cloth is painted on one side but the paint has bled through to the backside.

The cloth is natural coloured, narrow with a linear motif and one tasseled end. The repeated motif is made up of brownish-red lines outlined in black forming a Greek key-like design, decorated with black dots. At both ends of the cloth a diamond motif has been added in purple ink. One end has long fabric tassels, coloured with purple ink and the end of each tassel dyed red-brown.

The cloth is natural coloured, rectangular and decorated with four panels. The repeated motif in each of the four panels is made up of brownish-red lines outlined in black forming six figures. Two of the figures resemble squares with two opposing sides pulled in; two figures are diamonds with a bar across the middle; and two figures resemble the number '3' . The figures vary in size and position from panel to panel. The cloth is very thin and painted on one side.

The cloth is natural coloured and rectangular with geometric designs outlined in black. There are four panels. Each panel contains a band of interlocking triangles and a band of rectangles missing one side. The panels are outlined in black and painted brownish-orange. The cloth is painted on one side but has bled through to the other side.

The cloth is natural coloured and rectangular with a centred band and a repeating motif. The motif is a symetrical starburst-like design repeated four times within the large band. The border and the large lines of the design are light brown. The small details, dots and wavy lines are gray. The cloth is painted on one side.

Carved figure (part a) with pointed hood. Sleeves, coat and pants are rimmed with black paint around their bottom edges. Eyes and mouth are also filled in with black paint. Hands have holes to hold tools or weaponry, and there is part of a tool glued in his left hand. A carved ivory harpoon (parts b-f) fits into the right hand.

Female tuxw'id puppet with cotton-stuffed white cloth body and carved wooden head, hands and feet. Unsewn strips of red fabric are tied around her neck, wrists and ankles. The face is marked by brightly painted red lips, black pupils and thick painted black eyebrows. Coarse black hair extends in tufts from holes covering the top and back of the head; it is braided and secured with a hair elastic. The head of the puppet also acts as a rattle.

Male tuxw'id puppet with cotton-stuffed white cloth body and carved wooden head, hands and feet. Unsewn strips of red fabric are tied around his neck, wrists, and ankles. The face is marked by brightly painted red lips, black pupils and thick black eyebrows. Coarse black hair extends in tufts from holes covering the top and back of the head; it is braided and secured with a twist tie. The head of the puppet also acts as a rattle.

Carved wooden replica mortar (part a) and two pestles (parts b and c). Zigzag designs on each have been drawn in thin felt pen/marker of dark brown, green, purple and blue. Name written on around base of mortar.