Round, foliated bowl with raised, flared foot ring. Decoration is in blue on grey ground. Interior has decoration on lines around the rim; exterior has band of downward pointing triangles at rim, decorations in two areas of curved cursory lines and dots.

Footed bowl with scalloped rim. Interior is glazed turquoise except for a white band at the rim; exterior has butterfly and floral designs on sides and orange wavy and straight line design on side of foot. Red stamp on inside of foot.

Footed krater with wide mouth, upright rim and 2 double arched handles off shoulder. High fine stratled foot has 5 cut out sections and 5 panels. Exterior is painted with meander design on neck; panel design on shoulder; 3 horizontal rows of short vertical lines; meander on belly; 3 horizontal rows of vertical lines; on foot single birds in panels between cut outs.

Deep, red clay bowl with vertical sides and undifferentiated rim. Base separated from body with narrow scotia. Two ring handles round in section emerge from body horizontally just below rim. Body of cup is covered with black glaze except for underside of base, which is left reserved except for outer edge and two circles around a central dot.

Cream clay bowl with black glaze. The bowl is shallow with a wide mouth and a rounded rim. The base is thin and disc shaped.

Black glazed, clay bowl with a shallow bowl, a single handle, bottom reserved. Handle is oval shaped and is mounted at level to the rim, extending horizontally. Base small and flared to edge.

Small, red, clay cup with deep bowl and vertical sides. Base separated from body by narrow scotia. Two ring handles, circular in section rise from body horizontally at rim. Surface of cup painted with a thick black paint. Underside of base reserved with a black ring.

Form swells gradually with corrugations indicating inadequately smoothed coils, from a flat round unglazed base without foot ring, to rounded shoulder; short neck with flaring rounded lip, wide mouth; red-brown ware. Thick green ash glaze covers jar evenly nearly to base; areas of darker splotches; spots of red-brown matte paint which may be remnants of characters; glossy crackled glaze, pitted and gritty, seriously degraded at junctions of underlying coils in shoulder area as well as in main body area; large patches of light ochre yellow dripping from shoulder area to just short of base.

Rectangular form of fine white porcelain: vertical sides first swell from low unglazed foot, then curve in slightly at rim; indented corners. Pattern: divided diagonally from point near upper-right corner to point near lower-left corner; area to left glazed in glossy red-brown, which wraps from the inside over the outside surface to top of foot; area to right painted in underglaze blue with a landform supporting a composition of bamboo, pine, and prunus, with a cloud form above; on each of the two adjacent outside surfaces a motif of two cash with ribbons in underglaze blue; all shapes rendered with dark blue outlines filled with light blue washes; all covered in a minutely pitted white glaze. On glazed base, well rendered underglaze blue characters read 'Dai men nen sai' meaning 'Made in the Ming Dynasty' (Chinese dynasty, 1368-1644). Junction between brown and white glazes marred on outside by a grey-brown splotch extending over foot to base; repaired crack running through sidewall in area of landform painting.

Ceremonial wooden dagger with a pointed tip, an hour-glass shaped handle, and a round decorative handle end in the shape of Dzunuk'wa. Black in colour.