Modeled clay figure of a dog seated on a flat base. Mainly hollow construction. Dog wears collar and tongue protrudes. Figure is painted red-brown with dark yellow collar. Black shading and grey base.

Humanoid face mask with long brown hair glued into twenty drilled holes in the upper rim. Split red u along with an ovoid and a diagonal form line design on the forehead. Pointed downturned eyelids. Hollow tapering semi-oval red eyes are surrounded by a green area above connecting across the bridge of the nose in between and over to the right side of the mask. Red ears. An eight red rounded point design surrounds the mouth and extends on to the cheek area and the nose. On the reverse, there are six holes on the upper rim, hair and glue in two holes. Small piece of wood glued between the mouth and the nose at the back. Two holes are drilled into each side of the mask at eye level while a length of string passes through the holes and is tied.

Clayoquot wild man face mask that has fur nailed and glued to the upper rim and to the protruding eyebrow ridge, end fur on eyebrows melds with the fur on the rim. Three semi-circular grooves on the forehead. Two shorter grooves extend from the upper rim to the eyebrow ridge. Hollow semi-oval eyes. Three semi-circular grooves on each cheek. Hook nose with black nostrils. Light wash of green paint on the forehead, the eye area, the cheek, and the nose. Mouth protrudes in a pursed-like shape with black lips. Pointed upturned chin. On the reverse, there are two metal 'eyes' screwed at eye level while a leather strip is tied to one eye. Signed 'Clayoquot Wildman J. David 80'.

Bee mask. Black split U covers most of slightly rounded white forehead, two white square-like forms in either side of U; across forehead, dark purple-red line, varying in thickness and shape, seven diagonal lines over brows; brows protrude at bridge of bulbous snout and taper flat at temples; thin line joins small yellow orbital areas at dip between forehead and snout; circular hollow protruding white eyes are outlined in black; snout has central black band outlined in white, black, white and red crescentic bands around yellow nostrils with red interiors; five evenly spaced drilled holes at centre of snout have remains of 'stingers'; defining cheek line melds with orbital ridge; white temple and cheeks; black line emphasizes contours of cheek, jaw line and upturned rounded triangular-like chin; dark purple-red sickle-like shape on cheeks; red lip band has yellow outline. Cut cedar bark, tied with white cord, and nailed to upper rim; cedar bark lengths are folded around an orange-pink folded cloth nailed to upper rim; white cord and red cloth are twined into cedar bark lengths; grey cloth nailed to back upper rim beneath cedar bark, two narrow strips of dark purple-red cloth are sewn with black thread at sides, edge at side on right is stiff. On reverse, two lengths of green cord, one passed through two holes in upper rim, looped and knotted at hole in each temple; second length is looped and knotted around first cord; white cord binds green cord from upper rim; light brown cord looped and knotted through hole in chin. Jagged check at upper edge of orbital area on right.

Bee mask. Slightly rounded white forehead has black U in upper centre, black triangular-like form with red ovoid outlined in white at lower centre; curvilinear dark purple-red and red lines above curved black brows; yellow orbital areas are joined by a thin line in dip between forehead and bulbous protruding snout; circular hollow protruding white eyes outlined in black; snout has black centre and outline, yellow and white crescentic bands around red hollow nostrils, five holes in snout, three in the centre and one above each nostril, four have the remains of 'stingers'; curvilinear black lines emphasize cheek contours and narrow flat upturned chin; white and dark purple-red bands also emphasize chin. Cut cedar bark, tied with white cord, and nailed to upper rim; cedar bark lengths are folded around an orange-pink folded cloth nailed to the upper rim; white string and red cloth are twined through the cedar bark lengths; dark purple-red cloth is nailed to upper rim beneath cedar bark, two seams with greyish material on either side. On reverse, string passed through two holes in upper rim, looped and knotted through a hole in each temple, black string is knotted to string from temples and to a piece of thick black rubber.

Modeled clay figure of a pair of bare feet terminated above the ankles. Feet stand on square rectangular base. The construction is hollow and open at the bottom. Feet are painted flesh colour with yellow trim. Base is grey.

Modeled clay figure of a crawling child, mounted on a flat, rectangular base with a support block from base to stomach. Mainly hollow construction. Figure appears dressed in short pants, tight shirt, and necklace. These details are painted in pink, green, and yellow with the face painted in flesh tone and details. Base painted black.

Modelled clay figure of a human female child. Hollow, pot-like construction open at the bottom with feet, arms, etc. Added on. Hands are folded in front of the body. Details such as cap, shirt, skirt, and earrings are painted on. Colours of yellow, blue, green, red, black, and white are used. Holes have been left in either side near the bottom of the figure.

Modelled clay figure of a human male child. Hollow pot-like construction open at the bottom with feet, arms, etc. Added on. Hands are folded in front of the body. Details such as tight cap, tight shirt, and skirt-like lower body cloth are painted on as are earrings and stripes across forehead. Colours of white, black, red, blue, yellow, green, brown, and flesh tone are used. Holes have been left in either side at the bottom.

Papier-mache mask of a clown-like face. Face is painted orange with black and white features. Mouth is read. Head piece is blue. Face has a laughing expression on it with puffed cheeks. Black and white stylized swirl designs from ear to ear around the cheeks and chin.