Papier-mache face mask painted in blue, white, yellow, red, and black. The mask has dramatic facial features that include a large swirled black moustache, arched eye brows and eyes, a pointed nose and a wide open mouth. There are white floral designs painted on the face's black painted hair and holes in the ears to attach string to mask for holding it in place on the face. There are also holes for eyes and nostrils.

Black, white, and red wild man mask that has thirty-two holes drilled into the upper rim with strands of brown hair glued into each hole. Black dome-like forehead. Hollow circular eyes are surrounded by a sunken white eye area that extends downward into the nose that has curling hollow red nostrils. Wing-like white cheek ridges meld with the nose and terminate at the protruding upper lip. Upturned pointed chin. Pursed-like hollow open mouth outlined in black while the lips and the interior of the mouth are red. On the reverse, there are two metal 'eyes' screwed in at the sides of mask at eye level while a leather strip passes through both eyes and is tied. Signed 'J. David 84'.

Red and black eagle spirit mask that has white fur on the top rim and the eyebrows. White fur 'hair' consists of many small pieces of fur sewn together and then nailed to the top rim and the brow ridge. Dome-like forehead has form line design beginning at the brow on the left and extending diagonally across the forehead to the top rim on the right consisting of two red split u's. Solid diagonal black line on the left of the forehead extends from the side to the top rim. The cut out circular eyes are red surrounded by a black area. The black nose is hooked. Raised cheek ridges. On the left, there are two diagonal lines, one narrow and the other wide, extending from the cheek ridge to the lower rim. At the side on the right, there are two diagonal lines, one wide and the other narrow, extending from the lower rim through the corner of the mouth to the end high on the side rim. Open mouth with twelve white shell teeth, teeth glued on to a leather strip which is nailed to back of mouth opening. Chin is slightly raised. On the reverse, there are two metal 'eyes' screwed in at eye level.

Eagle transformation mask that has three beak portions joined by wedge-shaped pieces of wood fastened together by cloth and string; beak portions are pegged and hinged to an exterior wooden mount behind the interior human face mask; wood and string lever at base operates mask. Exterior closed: top of mask has three wedged shaped pieces painted white with black spots, down feathers glued to surface. Both upper beak portions identical with wedged shaped pieces above eye painted white with a solid black curvilinear design; black brows outlined in white; green face, white above beak and at jaw line; red optic liner, black and white eye; below black beak red nostril outlined in white; red lip band; wedge shaped pieces protruding from mouth are white with a solid black curvilinear design; underside of lower beak has two distinct painted parts; rear of beak, including wedge shaped pieces on either side, are painted white with black spots, down feathers glued to surface; upper portion of lower beak is black with a red lip band around three sides. Interior open: beaks painted black; red lip band visible on lower beak portion; beaks slightly concave, rim of upper beak portions graduate in depth; wedge shaped pieces form a circle around human face mask; dogfish design at the four cardinal points. Human face has hair inserted into drilled holes along top rim; white forehead has three green-grey u forms outlined in red, thin black line defines centre split u; black brows; green eye area and nose; eyes are white bored circles with red eye sockets; red nostrils; white cheeks have four solid green-grey u forms on either side of mouth; black moustache-like line extends from nostrils to corner of mouth; open red lipped mouth; white jaw area has four rows of short horizontal strips; black chin; black smudges on jaw and under lower lip.

Modeled clay figure of an elephant. Hollow construction of basic form with details applied. The elephant wears a multicolour collar of bells, back blanket and forehead cover.

Modeled clay figure of a bull. Hollow construction of basic form with details applied. The bull wears a full bridle collar of bells, and a multicoloured back blanket with geometric designs. The horns are decorated on the tips and a forehead ornament is attached around the horns. There are yellow rings around each ankle.

Modelled clay figure of a horse. Hollow construction of basic form with details applied. The horse wears a full multicoloured bridle, saddle blanket, collar and strap of bells.

Modelled clay composition consisting of seven female figures seated side by side on a hollow rectangular base. Each figure wears a short tunic and long skirt, a hair dressing with an offset knot, a simple pendant around the neck, and carries a flower bud in the hand except the second from the right which lost an arm in the firing and the second from the left which through some confusion has both hands in the lap.

Modeled clay figure of a seated male flanked by two seated females. All figures sit on a hollow rectangular base with small holes cut in the sides. The right arm of the central figure is raised and clutches the handle of an implement, most of which has broken off. Each of the female figures holds a flower in the hand closest to the central figure. All wear elaborate headdresses, jewelry and colourful garments. The foot of the central figure rests on the hood of a snake.

Forehead mask of a woman, whose head is a rattle, sits on the forehead of an eagle; hair, black wire wrapped around ends, is inserted into eleven drilled holes on top of the woman's head; black and orange-red paint are used to emphasize features; front human head has black brows and eyes; wide flat nose has orange-red nostrils; wide continuous orange-red lip band; prominent cheek ridges; ears on either side of head; back of head is yellow cedar with flat face depicted in incised circle; black brows; circular black eyes; broad flat nose with orange-red nostrils; wide continuous orange-red lip band. Body, shown only on front, has arms slightly extended and bent, elbows and forearms rest on eagle's brows, hands are downturned; legs are drawn up next to chest, four black claw-like toes on each foot. Eagle has black brows with horizontal rows of short orange- red lines; black bulbous eyes; thin sharp beak incorporates wide orange-red lip band, flattened semi-circular nostrils on either side; orbital ridge melds with cheek ridge which follows line of lip band; triangular depressed area under lower beak. On reverse, a leather strip is attached to either side by a singular stitch of white waxed cord, cord is also tied around leather. Signed inside: 'B' 'D'/87 'Dempsey Bob Tahltan Tlingit.' Unpainted wood is finished with oil.