Three-dimensional male humanoid puppet: large head (part b) fits into body clothed in shirt and skirt (part a), and a control rod (part c) with a long shaft that passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure has a light yellow face, and a headdress that winds around the head in a spiral. White eyes with red irises, and pointed nose. Black moustache and beard. One row of teeth on upper jaw. Hands point at right angles to arms; black bracelet at wrist. Clothing consists of a yellow, green and off-white geometric print skirt with a white, collared shirt that has folded cuffs.

Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part c) with a long shaft that passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure has a green face, white eyes with red irises, and black nostrils. The figure also has a small black moustache and a thin beard, as well as a mouth that curves slightly upwards with fangs at each corner. Gold sumping and gold jamang present. Upper body painted green; breast and waist area bulging. Off-white cotton skirt. On the figure's right hand, the fingers are straight and the thumb points out. On the figure's left hand, the fingers and thumb all point down.

Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part d) with a long shaft that passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. Two wooden dagger-like pieces placed under waist band at back. One fragment (part c) of a dagger has broken off. The figure has a pink face with black hair and beard, and a painted ribbon crossing at the top of his head. Bulging red iris in each eye with black pupils. Black bushy moustache curving down at mouth corners. Protruding teeth from upper jaw. The figure is wearing a black tunic with sleeves to mid-arm with beading on the front, and a brown, light brown, black batik skirt.

Three-dimensional male humanoid puppet: large head (part b) fits into body with tunic (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long, green controlling rod attached. The figure has a pink face and neck and small eyes looking downward, and a wide, downturned nose. Headdress consists of white painted turban, light and dark blue band surrounding it, red at top. Short black and white hair at back and at temples. Clothing of close-fitting off-white long-sleeved tunic with black buttons at back. Medium brown, dark blue and yellow batik patterned skirt. Straight hands with fingers held together.

Three-dimensional male humanoid puppet: large head (part b) fits into body with jacket and skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure has a dark brown face, large round eyes positioned forward, black eyebrows, moustache and thin beard. Red lips surrounding gold teeth; upturned, pointed nose. Headdress consists of gold diadem (jamang) and upswept curve (gelung supit orang). Black hair hangs down back to shoulders. Clothing consists of close-fitting jacket in black cloth with beige cuffs and off-white frontispiece. Yellow bowtie, suspender-like chest straps. Red and black belt over wide brown waistband. Tufts of colourful fabric (mainly red and yellow) on figure's right breast and on shoulders. Arms are painted gold and each has a talon-like hand. Beige, brown, and dark blue batik skirt with flower and geometric motif.

Wooden staff with finial in the form of a standing male, holding a cup and carrying two large ears of corn on his back. The face and chest have the remains of a dark red resin-like paint. Fragments of copper or copper alloy sheeting adhere in several places and many metal tacks protrude from the front and back of the figure. A bright red-orange band of paint encircles the staff a few inches below the finial. The bottom of the staff is broken off.

Squatting figure; right arm broken off at torso, right leg, left arm and leg broken off leaving stumps of different lengths; open hollow mouth; hollow nostrils; slanting hollow eyes; slanting forehead; three horn-like appendages, one on top of head, one on each side of head; colour red-brown with light grey neck and front horn-like appendages; light grey circle around right horn-like appendage; hollow with loose material inside; 'R.20.' inscribed in black letters on back.

Small totem pole with five figures. Bottom to top: a bear, an unidentified four-legged mammal, a frog, a killer whale, and eagle. No base. A newspaper column entitled "totem poles" is glued on the back.

Model totem pole with four figures, all mounted on a rectangular wooden base. Figures from top to bottom: eagle with spread wings, whale, bear and an eagle from the torso up. Pole on a camphor edged base. Carvings are exceptionally high relief with minimal modeling. Background painted blue, beige and yellow. Figures painted dark blue with yellow, beige, purple. Paint irregularly applied throughout. Spread wings of top bird are solid wood with roughly painted blue and beige lines to suggest feathers. Back of pole is flat. Newspaper clipping about totem poles is glued on reverse.

Fragment of painted, plain weave cotton. The major motif is a frontal human with crescent shaped headdress. This figure is repeated in diagonally arranged squares. Adjacent diagonally stepped registers contain zigzags. A secondary motif of repeating profile birds occurs in a wide diagonal register between registers with zigzags. The original colours appear to have been red, blue and several shades of brown.