Carved wooden, double headed Hamatsa mask consisting of crooked beak and raven mask joined at the back of each. Both have red, ovoid shaped cutout nostrils with red and white detailing around it. Both have a red mouth; one is long, narrow and protruding the other is flat, square shaped and protruding. On underside of crooked beak's lower jaw is a small carved thunderbird ? face with a beak that curves back into the open mouth; small bundles of cedar decorate the top edge of face. The eyes are black ovoids, outlined in white and red on a green ovoid shaped ground; the brow is black. The inside is hollow with the exception of twine which articulates the mask. Both masks have twisted cedar rope around the crown; crooked beak has cedar rope along the edge of the frill. Cedar bark and feathers decorate the top of both heads; tufts of eagle down intertwined. Attached to the top of the crooked beak are two black wooden horns that curl at the top; detailed with a red circle. The mask is painted black, red and white with Northwest Coast stylized forms.

Small wooden mask with two round eyes and a long, protruding, recurved beak-like nose; painted orange, black and yellow.

Black, white and red Hamatsa raven mask featuring an elongated beak with a hinged lower jaw. Red nostrils in the centre of the beak are flared, open, and surrounded by a simple design. A thick, twined cedar bark cord is nailed along the upper rim of the mask, augmented by a loose cedar bark fringe at the back.

Thick wooden board with faint black eye design outlined with sea otter teeth to form a face.

Dance screen made from a length of rough burlap with a vertical seam at the centre. Folded over and sewn at the top with a fringe along the bottom. Painted with a totem pole shown in profile in black, red and green at the lower center. The topmost figure on the totem pole has a long beak.

Large brown, loosely woven dance screen with painted designs. The screen is made from pieces of fabric sewn together, creating vertical seams. Across the top is a painting of a sisiutl in black, red, and green. Below and against each side, are totem poles, facing one another. The poles have a red raven on top and a green bear-raven transformation ? on the bottom. The top edge of the screen is doubled over, to be hung from a wooden rod. The bottom edge has a twisted fringe.

Woven brown dance screen with painted design. The dance screen has an open weave and is made of several pieces sewn together with vertical seams. The top edge has been folded over and sewn, to be mounted on a wooden pole. The central design is a totem pole in black, red and green. The pole has two raven motifs; the raven in red holds his head up, the raven in green is looking down. There is a twisted fibre fringe on the lower edge.

Basketry hat with various twined weaves. Brim is done in both a mixed twined weave, which produces rows of weaving, and a plain twined weave with diagonal twined weave skip stitches, which produce a chevron twill pattern. The crown has a three-strand twined weave interspersed with bands of plain twined weave (i.e. two-strand twined weave) on the top of the crown. Inner support: interior head band of diagonal twined weave. Applied expansive design in black, red and green paint.

Mask with painted black hair, eyebrows, moustache, and a line on either side of the face that extends across the cheek and curls over the red nostril. The lips are also red, and there are curved lines that extend from the sides of the face to beside and over the eyes. There is also a curved red line on the forehead. Green cord is strung through holes in the sides and top of the mask at the back.

Carved wooden, crooked beak mask. The beak has red circular shaped nostrils with a red and white s-shape followed by a series of black and white s-shapes. Running from the brow is a large central black frill, outlined in white, that protrudes outward, curves downwards, then in upon itself. The mouth is red, flat and protruding. The underside of the beak is black. The bottom parts of the beak are hinged with rectangular pieces of rubber. The eyes are black, outlined in white and red on a white ovoid shaped ground; brow is black. The inside of the mask is hollow with the exception of pieces of fibre twine that articulates the beak. The back has a rectangular piece of wood. The top has small bundles of small stripes of cedar bark; top and side edges are lined with a twisted cedar braid. Hanging from the back are long strips of bark; along the bottom edge are pieces of twine that hold remnants of cedar strips. The mask is painted black, white and red with Northwest Coast stylized forms.