Carved wooden sculpture of whale, painted on a rounded, rectangular painted base with a tall dorsal fin. The fin has two carved and painted humanoid figures carved and painted on the sides of the fin, with their hands are carved, as if holding onto the edges. Mainly painted black, with red and pale blue design elements.

Bark cloth body mask; conical shape top with long raffia fringe hanging from circumference of wide end. Tubular extensions out each side from midway of conical top. Each tubular "arm" has rigid circular shaped opening with a small bunch of short raffia fringe attached at lower edge. Geometric painted design around conical "body", with a linear depiction of a face on the front side of the rounded top portion; designs done golden brown with black highlights. Additional raffia fringe and fibre loops attached to top centre of "head".

Model pole carved of whale bone. Eagle at the top, perched on a crouching human figure, then a bird-like figure with claws or talons at the base. Eyes, some lines and background areas have been coloured black (ink or paint?). Back of pole smooth and slightly concave. Pole attached to rounded base, with scalloped pattern, by two metal screws. Artist name, place and date inscribed on back.

Traditional style harbour canoe. The designs painted on the outside are Thunderbird and Killer Whale, with a black background.

Model totel pole with two carved figures. From top, a thunderbird with eyes outlined in blue and a mouth outlined in red. Wings are painted with red and blue feathers. Left wing has been reattached with adhesive. The thunderbird sits atop the tail of a whale. The whale is positioned head down with eyes outlined in green, nostrils outlined in red, and mouth outlined in purple. 'CHARLIE JAMSON' written on back.

Brown-grey wooden boomerang with painted designs across surface; back is flat, front is curved. Left arm of boomerang is slightly wider than the longer right; left arm tapers to a point, right has a round end. Elbow has a high curve. Alternating band and chevron pattern along length of boomerang; done in black and trimmed with white dots. End of left arm also done in black, with a white dot border. Back is undecorated.

Wooden boomerang(?) with painted designs across surface; back is flat, front is curved. One arm is shorter than the other. The shorter arm is wider and rounds out to a small point, longer arm tapers to a rounded end. Elbow has a soft curve. Front has a central snake-like design; done in pink, with a white dotted black border. Both arm ends are pink with identical borders to snake. Additional design of splatters of black and white on either side of the snake, and a semi-circle with dots underneath it. Back is stained dark-grey and red, the wood appears to have been burnt at one end.

Plastic doll standing with hands at sides. The doll has dark brown skin with curly synthetic black hair and brown eyes that open and close. The doll has a headband with three rows of small grey shells and an open weave head covering the hair. They carry a loosely woven bilum bag with pieces of wood(?) inserted horizontally throughout that hangs from a strap strung over the head. On the arms are dark brown woven arms bands and around the waist a thin woven band. The doll has a bark apron, covered by strings of small grey seeds that are twisted from the neck around the shoulders and then back around the waist multiple times. On the calves are mismatched woven leg bands.

Plastic doll standing with hands at sides. The doll has dark brown skin with synthetic black hair and brown eyes that open and close; it has a headband with three rows of small grey shells and a headdress with three tiered layers of plant fibre - in red, purple and natural (front to back, small to large). There are lengths of bark woven into the hair. The doll has a loosely woven cloak with horizontal pieces of wood(?) inserted throughout, with a bark cloth cloak layered overtop; also dark brown woven arm and leg bands, a chest band, and a skirt of twisted fibre over a red loin cloth. The doll wears strings of small grey seeds twisted from the neck around the shoulders and then back around the waist.

Painted clay female standing upright and holding a white baby goat, on a square base. Female has a thin oval-shaped face, circular eyes, long nose, closed mouth with large lips, and small protruding ears; eyes are painted white with black pupils, long black eyebrows painted overtop. She has long black hair tightly braided down her back; lines incised throughout, imitating hair strands. Impressed lines across bare feet, imitating toes. Figure is wearing a knee-length red dress with white polka dots throughout; dark blue dots on white spots. Goat has impressed holes across nose, imitating nostrils; eyes are black painted spots. Base is painted red; bottom of base, and figure's face and limbs are naturally coloured. Unsigned.