Pair of pink silk Cantonese opera boots with embroidered chrysanthemum flowers in dark orange, light purple, dark purple, light pink, red, yellow, and green with leather soles that have been painted white on the sides. The toes are gathered with two seams and a slight protrusion at the top of the foot. There is a two-pointed flap at the back of the heel. Lined with off-white cotton and cotton insole.

Single skin or half drum (shagu or shade), bell shaped. Skin stretched over hole at centre top (approx. 3 cm), and the whole wooden form. Held in place by double row of hand wrought nails and iron rim. Characters, orange, green, and white, on skin. Black characters on base.

Double skin drum; wooden cylinder (hollow) with skin head stretched over top and bottom; nailed in place with hand wrought nails. Wooden portion: yellow characters (3) on green ground. Skin heads; one plain, one has six worn characters, red on yellow ground, green nails. Screw eyes inserted, one on either side in wooden portion.

A gold painted conical helmet with openwork floral and scroll designs, and "tiles" around the whole of hat with the openwork around the upper portion, and the "tiles" around the lower portion. There are three flaps, one at the back with two at either side. Circular mirror reflectors attached to designs and flaps: seven in a flower-like pattern on the back flap, three in a triangular-like pattern on each side flap, one on each of the four quadrants of the hat itself, with another at the bottom front.

Incense burner (part a) and lid (part b) in form of a "fu" dog. Nine impressed characters underneath. The paint is not a fired glaze. With stand (part c).

Oval-shaped wooden plaque with figures carved in relief laid over the surface. Imagery consists of a legendary fu dog with inlaid glass eyes under a flowering peony. Colours are predominantly gold, blue, red and green. Two metal rings for hanging are attached on the reverse along the upper edge.

Four red lacquer panels(a-d) with black frames, each containing four smaller compositions of battle scenes, court scenes and country scenes; edges have elaborate floral and key chain patterns. All carved in relief and painted. Panels are bound together by metal hinges, creating a four-panel screen.

Frames rectangular panel with a figure carved in relief from ivory in the centre; seated Buddha in meditative position on lotus. Surrounding designs are lotus and clouds in gold on black wooden ground.

A vertically rectangular painted stone plaque of an outdoor scene with a scholar in a pavilion and two students resting just outside with a tree in the middle. Colours are red, green, brown, and white. All figures are carved and inlaid. The effect is of a stone bas-relief on a wooden ground. Has a dark brown-black wood frame with an ornate metalwork design at the top. Some stone pieces are cracked or loose.

Two cylindrical beaker shaped vases (parts a and b) with plants and flowers and birds perched on branches. All in blue on white ground. Brown rim and foot bands. Naive decoration. Incised mark on bottom reads Chinese date ch'eng hua reign (1465 - 1487).