White human male mask with a blue moustache and eyebrows and red eyes and mouth. Style is naturalistic.

Woven, palm leaf hat in a conical shape with a leather brim, top and detailing. The brim is painted with a vertical stripe design in red, yellow and brown. The top is painted red and black with multiply thin brown leather strips hanging down from the tip. The body of the hat is detailed with dyed palm strips in purple, blue and black along with leather diamonds painted black and red with white outline. There is a thin brown leather strap that hangs down from the inner rim.

Grater made from a shoe polish can lid (a) and base (b). The lid has been pierced overall from the inside. Painted inscriptions on sides of both parts and on bottom of base.

Round, red-brown gourd container with a flaring mouth. Design consists of six panels with incised horizongtal line patterns that include zig zags and cross hatching with a z form below. Mouth has a central horizontal zig zag line surrounded by a pair of black lines above and below. Lines are painted black. Neck is black. Has a skin strap around the neck.

Headdress, or mask, depicting a human face with pointed lips, stylized ears, and raised rows of hair with incised lines, and three incised almond-shaped clan scarifications on the cheeks as well as the forehead. A chicken is depicted sitting on top of the the figure's head with its wings relaxed downwards, tail pointing upwards, and legs dangling down at the back of the head. The headdress is painted with white eyes, a white scalp with black hair, blue scarifications, and alternating white and blue bands delineate the chicken's feathers.

Red-brown round pot with a spherical shape on the base. Three decorative concave knobs are on the top with a circular handle in the middle of the top and a pointed spout. The upper portion around these decorative knobs and spout has a main design that consists of incised line patterns around the top which are painted red and black.

Figures carved under each one of the seed pots, with six pairs totaling twelve. There is an upturned head carved at each end. Painted black, brown, and blue in vegetable dyes.

Mask of a horned human head, painted black with red, yellow and white geometric designs. Moveable jaw fastened with rubber strips. Long raffia hair attached at back in green, yellow and orange.

Writing tablet, or prayer board. A flat, rectangular wood piece with an half-circle handle at the top attached by an oval with a cut-out oval hole pierced in the middle. Smooth, worn wood. Arabic script painted on both surfaces in dark brown.

Carved wood totem pole Coqualeetza IRS had a training program that involved some traditional cultral work, where girls wove baskets, spun and knit, and boys learned carving with the hopes that this would help develop work skills, teach technical training, continue some traditional knowledge, and help students sell their goods. This was funded first by the DIA and then by the United Church after 1934. Rev. Raley's resulting collection from this program was used for display at the school as well as for teaching, and later became part of the of UBC's collection at MOA. This painted carving is wood, painted black, yellow, green, and white. Paint type is unknown, may contain arsenic, lead. Handle with care, wear gloves. Base is black with yellow lettering that reads "CHWK 1935", which we interpret as being carved at Chilliwack's Coqualeetza IRS in 1935.