Famille rose porcelain vase with a flared lip, cylindrical neck, oval-shaped body, and flat base with a raised foot; carvings of a creature, holding a red ball, on either side of neck, function as handles. Opening and bottom edge of vase are trimmed with decorative bands; borders are filled with intersecting lines, floral motifs, and four irregularly-shaped ovals spaced throughout. Ovals are filled with different designs; opening border ovals filled with additional floral motifs, bottom border ovals depict structures and surrounding landscapes. Rest of vase surface is decorated with a various scenes; including people at court, boating, and walking through gardens. Sticker attached to vase base.

Famille noire, tall vase decorated with pink blossoms and peaches on a black background. Vase has a slightly flared lip and long neck that curves outward into a rounded body; base is flat with a small raised foot. Entirety of vase is covered in flowering branches with leaf offshoots, a variety of flowers in shades of pink, and nine peaches. Red seal stamped at centre of base.

Puffin head mask (part a) with multiple attachments (parts b-o). Puffin has a fish clamped in its multi-coloured beak, and four wide holes drilled around the back edge of its head. Eyes are triangular, with long lines extending from their bottom edges to back edge of mask. Circular area around eyes is undecorated; top, bottom and back of head are painted black. Two wood sticks tied in circles (parts b-c) attach to mask with short pegs (parts l-o); cormorant feathers, with wood carvings on tips, extend from outer circle (parts d-k). Carvings on feather ornaments consist of a thin bird head (part d), two fish (parts e-f), two fins (parts g-h), and three wings (parts i-k). Circular rings are painted orange-red; larger one has holes drilled through it for attachments to fit into. All wood attachments have black, dark red-orange, and light blue highlights painted across them; decorative incisions and elements carved in relief throughout. All cormorant feathers are dark grey-black. Metal ring attached to back of mask component, for hanging.

Talavera pottery. Round plate with raised wavy lip and dark blue scalloped rim. Painted floral designs on the front of the plate. At centre, a cross with four arms of equal length within a four-point shape surrounded by brown flowers with yellow colouring around dark blue centres. Around the lip, repeating designs with dark blue fern-like leaves behind. Glazed on front and back. Single hole through the raised edge on the base. Signed Talavera Loza Blanca.

Clown mask. Hand carved mask depicting an off-white clown face with large upturned and pointed nose. Nose painted with a red tip with small bands of brown and teal, and blue nostrils. The clown has wide cutout circular eyes, outlined in blue and red, set deep between prominent brow ridge and cheeks. The large smiling mouth is cutout, and the lips and tongue are painted red, and lips outlined in dark purple. The clown also has a pointed chin, which has a red line across it. The mask has carved hair, which is painted black, with a dark purple widow's peak painted on the forehead.

Standing owl candle holder with small birds perched on its head, and to its sides on small logs. The birds are brightly coloured, with exception to two small black and white owls perched on the brow. Small cylindrical tube extends up from top of head, painted green with white and blue bands, and two smaller red bands over the white. Behind the two green logs are round openings on either side of the owl. The owl has a blue face with large yellow eyes. The wings are purple, outlined in red and black, and the chest is filled with horizontal bands of varying patterns in bright colours. The back is painted a light yellow, with green fern-like leaves overtop. Stands on three feet. Artist's mark on base.

Ceramic figure of a female storyteller. She is depicted sitting, with her legs stretched out straight in front of her, and holding seven children in her arms. Four children are sitting on her lap, three are clinging to her shoulders and right arm, and one is on the back of her head. All figures are pink-brown. She has a smooth circular face and rosy cheeks. Has triangular eyes, a thin and pointed nose, and round open mouth; eyes, nostrils and brows are done in black, mouth is dark red. Black hair, done in relief, wraps around top, back and sides of head; large bun protrudes from back, with a red hair tie wrapped around it. She is wearing tall boots, a long-sleeved dress, necklace and rings. Boots are white with beige trim, highlighted with dark red; grey lines and turquoise diamond motifs throughout. Necklace consists of turquoise beads with grey fringe extending from the beads; rings are also turquoise. Dress is mostly black with turquoise, red and grey geometric motifs throughout. The chest and sleeves are beige with dark red and turquoise motifs; collar is dark red. The children all have black hair and rosy cheeks; facial features all done in black. Their eyes are triangular, noses are dots, and mouths are a mix of lines and diamonds. They are all wearing beige outfits with an assortment of black and dark red decorations. A majority of them have their hands raised to their faces. One of the children being held by the storyteller, in the front centre, is holding a block with the letter "A" on it. Artist signature painted on bottom of storyteller, with pencil inscriptions around it.

Thunder mask. Wooden humanoid mask, with bulbous forehead and pronounced brows. Deep-set eyes, with edges carved in relief, are over a large hooked nose, with wide oval-shaped nostrils. Nose extends over open mouth with two rows of bared teeth; rounded chin juts out below mouth. Trigons are carved into cheeks; ovoids done in relief overtop of brows. Forehead and chin are painted black; brows, nose and cheeks are painted dark blue. Ovoids, trigons and nostrils are done in red; teeth are done in silver. Brows, nose and eyes are highlighted with silver. Additional silver decoration painted along bottom corners of mouth, extending down chin. Both dark blue and silver paint have a metallic sheen. Holes drilled into sides and along top edge of mask, for attachments. Back of mask is hollowed out. Holes in mask for eyes, nostrils and mouth.

Hand painted figural skull covered in insects - flies and larvae. The skull is painted like a sugar skull (la calavera de azuca) with lacy patterns outlining the eye sockets and jaw line, and large fern-like leaves extending down the cranium. Colourful insects are crawling all over the upper portion of the skull as well as two crawling out from the eye sockets. The insects have clay bodies and metal legs and antennae. The interior is painted yellow-green.

Painted clay dish. The bowl sits on a raised base. Central design is a dark brown-black star, with scalloped edge. At centre, large red four-point star. Between each point, a monkey on all fours in profile, and a stepped geometric design. Red rim. The exterior is dark brown, with three designs of five lines in descending lengths.