Carved figure of an owl. Bird sits on a small round base, legs and feet at front of body, wings held close to sides, with head angled slightly forward. Beak is large and hooked, under a heavy brow and large square ears atop the head. Eyes are large and round, painted black, while face and beak and are painted green with lines of red. Head, back, and feathers across torso and wings are outlined in black, with yellow bands across the legs and feet. Wings have green and red decoration.

Carved wooden yipwon (hook figure). In the shape of a standing person, with a large foot at bottom below a single leg with bent knee. A face in profile sits at centre of object, with a protruding nose and mouth and large forehead with brow that overhangs the inset shell eyes. A flower is carved onto the cheek. Surrounding the face are three oblong circles, the inner and outer of which are carved with rounded designs that are painted white and orange. The other side of the object is carved similarly but is unpainted.

Mai mask. Mask is long and narrow. The forehead rises at centre, meeting the long, sharp bridge of the nose. Eyes are made of inset cowrie shells, emphasized with black paint. On a light tan background, red-brown linear designs swirl around the eyes and cheeks and along the nose. The mouth of the mask is tubular in shape, protruding above the chin and holding a short snake with a squared head. The lower portion of the mask, as well as its outside edges and forehead, are covered in tiny white-grey shells inset in a light brown mud. Larger concave shells sit at regular intervals, and white cowrie shells line the bottom edge. Long, sparse feathers protrude from both the chin and top of head. A leather cord emerges from the top. Mask is concave on back.

Carved hook. Large round face, flat in profile, sits on top of object, with protruding eyes made of seeds below a pointed brow, with scale-like carvings on forehead and cheeks. Nostrils are wide, mouth is small. Long strands of twisted plant fibre are tied through the narrow ears. The long neck is carved with circular and scale-like motifs, and connects with a large triangle below, its upper corners sharply carved into rounded spikes. A face with inset shell eyes and a smiling mouth with prominent teeth is carved into the wood. A tie of plant fibre is set through the nose. At bottom is a hook in a half circle shape, top corners elongated and curved into spikes mimicking the triangle above. It too has a carved face, with nut eyes, brow and cheeks carved with scale-like half circles, and a plant fibre tie through the nose. Mouth at bottom is wide, smiling, showing many prominent teeth. The back of the object is similar to the front.

Contemporary retablo with ceramic figures, miniature retablos and paper books. The wooden box itself (part a) has a structured hole at centre front, taking the form of a stage. The wood is painted black and several images are adhered to it, such as a typewriter, human and animal figures, flowers, and Albert Einstein surrounded by pigeons. Ceramic figures of the donor and her husband (parts b and c), their dog (part d), and a small stool (part e) are placed in the retablo, as well as a small woven basket (part f) containing a crumpled sheet of paper (part y). There are three miniature retablos (parts g-i) of glass and wood, one of which is held by the woman, and many miniature books (parts j-x). Six of the books are filled with blank paper, while the other nine have titles and writing inside.

A large rectangular bark cloth covered with geometric patterns. The patterns are made up of triangles and linear shapes which fit together to decorate the cloth's whole surface. The cloth is coloured in varying shades of reddish brown and browns.

Comb carved from brown wood which is topped by a carving of a human face and chest surmounted by a headdress to which small grey and white feathers have been attached with strands of plant fibre. This portion of the comb is carved and decorated with painted colours (white, sienna, yellow ochre). The human figure has a wooden nose bone of a lighter coloured wood. There are eight prongs on the comb which are not decorated, and are around 13 cm in length each.

A wooden carving of a bird painted with patterning along its back, across the front of its torso, and on its face. It has a long narrow neck, a smooth and rounded body, and two long parallel legs which protrude from the body beneath the rounded point of the tail. The patterning on its back and across its torso is made up of cross-hatched yellow ochre, white, and red-brown lines. The bird's head is also painted red-brown, with white eyes and details.

A wooden carving of a bird painted with detailed patterning. It has a long narrow neck, a smooth and rounded body, and two parallel legs which protrude from the body beneath the triangular point of the tail. The painting on both sides of the figure are the same.

Figure carved from a single piece of wood, decorated with intricate painted patterns on all sides. In lines and dots, colours are black, yellow ochre, red-brown, and white. Mid-way down the arm on either side is a band of small orange and light-green feathers wrapped with plant fibre. The figure’s arms and legs end in flat surfaces, with no hands or feet. The head and neck are long and narrow, face flat with a small nose and angular chin. Round eyes are small, and mouth is shallowly carved.