Upper body garment made of lightweight grey silk gauze patterned with roundels of bats surrounding a circular form of wide lines forming an even cross with arms curving around and bent inwards. The gauze fabric has an overall pattern of small rectangles. The garment is lined with loosely woven white silk. The long sleeves are inset with straight seams. The seam of the sleeves, under the arms, has a pronounced convex curve, narrowing to the wrist. The body of the garment curves downwards to the centre front. It opens at the front, and the front edges are extended with panels extending down from the mid-point of the outer facing. The front panels overlap to the left when closed. The left side has a small fabric triangle attached where the outer facing meets the front edge. The left outer facing is rounded at the lower edge, while that on the left is straight and projects beyond the front edge of the garment. On the right side a small square fabric tab is attached. There is also a narrow facing or collar of white shiny paper, which is partially detached and broken in many places.

A pair of flat-soled shoes with upturned toes that have a vertical centre front seam. The shoes are covered on the outside with red silk brocade woven in repeating swastika patterns surrounded with lines following the directions of the swastika lines. The soles are black plastic embossed in a flower pattern except under the arch where there is script-like writing as there is on the slightly raised heel. The shoes are lined with pale blue-grey fabric and have tan insoles printed in gold with roman letters and an image of a dancing woman.

Chinese robe border in progress, rectangular loom width of fabric with warp of fine hemp? and continuous weft of hemp? (yellow areas) and silk (blue areas). Woven in fine silk tapestry weave are round neck border, above a curved border for upper edge of robe, above a series of diagonal strips, all decorated with a series of roundels woven in white, light blue, and dark blue on background. Each roundel is painted in shades of blue detailing floral motifs.

The cloth is natural in colour with designs painted in black and brown. There are eight bands and each band is separated by a border. The designs in seven of the bands are interlocking triangles on either a black, brown or natural background. One band has mirror-image rectangles missing one side. The cloth has a thick fringe cut into one side and two long ties on the opposite side. The cloth is painted on one side but the paint has bled through to the backside.

The cloth is natural coloured, narrow with a linear motif and one tasseled end. The repeated motif is made up of brownish-red lines outlined in black forming a Greek key-like design, decorated with black dots. At both ends of the cloth a diamond motif has been added in purple ink. One end has long fabric tassels, coloured with purple ink and the end of each tassel dyed red-brown.

The cloth is natural coloured, rectangular and decorated with four panels. The repeated motif in each of the four panels is made up of brownish-red lines outlined in black forming six figures. Two of the figures resemble squares with two opposing sides pulled in; two figures are diamonds with a bar across the middle; and two figures resemble the number '3' . The figures vary in size and position from panel to panel. The cloth is very thin and painted on one side.

The cloth is natural coloured and rectangular with geometric designs outlined in black. There are four panels. Each panel contains a band of interlocking triangles and a band of rectangles missing one side. The panels are outlined in black and painted brownish-orange. The cloth is painted on one side but has bled through to the other side.

The cloth is natural coloured and rectangular with a centred band and a repeating motif. The motif is a symetrical starburst-like design repeated four times within the large band. The border and the large lines of the design are light brown. The small details, dots and wavy lines are gray. The cloth is painted on one side.

Flute with six finger holes containing a rolled up paper with blue writing.

Rectangular-shaped tapa with repeating, square, breadfruit designs covering almost entire front surface. The design squares are repeated 3 wide and 5 long. The first lengthwise row has a single dotted circle at its centre, with four leaves around it - two painted in ochre, two in black. The middle row has a double-circle centre with all four leaves painted ochre. The last row has a triple-circle centre with same coloured leaves as first row. There is a thin unpainted border around all edges.