Kenojuak Ashevak's drawings, prints and sculpture express her understanding of the world through unique imagery. Her early work is filled with images of camp life, people, animals, and for what Kenojuak is renowned: fantastical birds that reveal her ability to capture the essence of her subjects in simple forms. Kenojuak is among the first Kinngait women to have her drawings included in the Cape Dorset Print Collection. This captivating image of an arctic bird quickly became a Canadian icon, and in 1970 the print was chosen for their commemorative stamp. This is seemingly her most popular print, exemplifying her graphic style of simplifying her subject to maximize its unique form in a strong composition and use of vivid color. Kenojuak was first encouraged to draw by James Houston, the Federal Government administrator for the Baffin Island area. Houston is credited with raising public awareness of Inuit art and encouraging the Inuit to control their own production of prints. Kenojuak's owl drawing was among the first prints produced by the West Baffin Eskimo Co-operative in 1960. Over the years Kenojuak Ashevak has received many honors, among these the Order of Canada and a Lifetime Aboriginal Achievement Award. She lives in Kinngait (Cape Dorset) and continues creating her drawings and prints, fantastic explorations of form, design and color.

Paper fan advertising a Vietnamese water puppet troupe. Collapsible fan is made of tan coloured paper attached to thin bamboo sticks that are gathered at bottom and held together with a metal rivet. On one side is printed NŪA ROI NÓ’UOC THĂNG LONG at top, with the logo of the "Thang Long Water Puppet Troupe” below, this lettering arching over the stylized image of a crowned red puppet standing in water. On the other side of the fan is written QŪY VĂN HÓA THÀNH PHÔ’ H`A NộI . HA NOI CULTURAL FUND above a blue logo of two hands holding a small building. Location information is printed on both sides in blue.