The ledger drawing scene shows a Native man on a charging horse, clubbing a soldier with a tomahawk weapon. The Native (possibly Cheyenne) has on decorated leggings; his hair wrapped with an elaborate headpiece with a whole bird on top of his head and a flowing trailer alongside of it . The soldier, caught between the legs of the horse, wears a blue army uniform and brandishes a pistol.There is the outline of a wagon in the lower left. These drawings are done by tearing out paper from ledger books that were used by army and reservation post managers as a substitute for using hides- the traditional medium fro such drawingsfor offical art papers.

The paper is white. The ink is black.

The ink is blue.

The ink is brown and yellow.

The ink is blue, black, yellow, and green.

The paper is white. The ink is black.

The paper is white. The ink is black, tan, and gray.

Canvas apron with beadwork decoration in blue, white, pink, green, yellow and black. A backing of plain canvas, beaded to the front piece at the sides and with the top edge left open to insert a square of brown cardboard for stiffening support, has large stitches of brown and green thread across the top edge. Canvas is rolled and stitched at the top edge to create a waist band.

Large contemporary woven string bag (bilum) decorated with dyed stripes, different types of shells, chicken feathers, wooden beads, branches with seeds, small fan-shapes made of cut-up plastic packages, possum jaws, boar tusks and pieces of tapa cloth.

Framed and glazed colour drawing of the totem pole 1901.39.1 erected in front of the chief's house in Masset, Queen Charlotte Island. The characters on the totem pole are identified in pencil. [JP 1/7/2004]