Blouse-like sleeves with front opening, standing collar, and puffed sleeves; no closures along front opening. Garment is gathered at the collar and sleeves, creating ruffles throughout; more tightly gathered on sleeves than collar. Embroidered bands, consisting of floral and geometric designs, at top and bottom of sleeves; done in orange, white and light yellow. Rest of garment is undecorated. Top band has a light yellow background and is trimmed with diamond and checkered borders. Main design is made up of flowers, vertical lines, diamonds, and triangles in a zigzag, with abstract shapes throughout; done in white and orange. Bottom band has repeating flowers inside squares with geometric designs throughout. The top and bottom edges are trimmed with checkered borders; whole band done in white and orange. Sleeves have slits at the cuffs, secured shut with short ties, and are stiffened with folded brown paper along the interior; paper has orange triangular designs across it. Cuffs are trimmed with long pieces of lace-like material; open weave floral designs throughout lace. Garment is unlined.

Ledger drawing titled, 'White Horse'. The drawing shows the profile of a person in full regalia riding a horse while another horse runs beside it. The three figures are spaced so that they are not blocking each other with the furthest horse being in the lead. The lead horse is white with yellow colouring and grey fore legs, wears a blue bridle and has red 'painted' designs of three lines and a hand print. The second horse, which is being ridden, is white with blue patches, and wears a red bridle, strap and saddle. The person wears a large headdress, a breastplate, and leggings. They fire a gun with their right hand, shown with a small red explosion and a bullet, and are holding a shield in their left hand. The drawing is very angular. The ledger sheet has holes down the centre fold where it was bound, and is numbered 107/108, and 125/126 in the top corners. Hand-printed notes on back.

Vejigante carnival mask of painted paper mache construction. Mask is mainly painted a light grey-blue, with purple and white dots, and purple dashes on the horns. The white face with cut-out holes at the eyes and mouth. There are floral-like designs in gold and purple that spiral out from around the eyes. The eye sockets and nostrils are painted purple, with large false lashes glued to the upper edge of the eye sockets. Three long curved horns project out from the top and sides. The top, centre horn extends up, and curves forward, and has a small gold cross in front of green fern-like leaves. The right horn curls forward, in front of the face, and the left horn curls up and over the head. The top of the head is lined with four large red flowers with yellow stamens, and two orange and black butterfly. On both sides, a small painted white metal key hangs from the horns. The snout has a large open mouth with black stitching along the lips, and three pointed white teeth with red gums. Black, grey and red ribbons are tied to each side of the mask and hang down. The interior is painted red. Signed and dated inside.

Large Vejigante carnival mask of painted paper mache construction. Mask is of a bright yellow, red, and orange sun, with alternating long and short horns extending in a half circle around the head. Mask has a long wide nose, slit eye openings, and wide open mouth with three-pointed teeth; mouth outlined with red paint, teeth done in white. There are pronounced nostrils above centre of mouth, and thin ridges across forehead that connect to horns. Wavy painted lines extend from mouth towards horns; done in dark red and various orange shades. Short horns have wavy uneven edges; long horns are conical with protruding ridges that curl along the length. Gold-coloured semi-circular bar connects the five large horns near their midpoints. Hanging rod, made of plastic pipe, attached to back centre. Interior of mask is painted red; artist signature and date made, "2018 Roman" inscribed along left interior side.

Black men's robe made of a rectangular piece of fabric, folded in half at the shoulder; long slit neck opening in the centre. White stripes, in groups of three or single, decorate robe overall. Triangular shaped pocket attached below neck opening, extending onto left side of chest. Pocket has an intricate knot, heart, "X" shape, and plain and dotted horizontal lines embroidered across it. Triangle-like paper patch stitched to back of neckline; "X" shape embroidered across centre. Embroidery on patch visible on back of robe. All embroidery done in dark yellow. Sides are hemmed, top and bottom edges are unfinished.

Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.

Illuminated Qur’an, with naskh script written in black ink and pages edged with gold leaf. Covers and spine made of black leather, with raised floral and curvilinear motifs throughout. Long oval in centre of each cover, with stamped motifs. Spine is undecorated. Flap closure attached to back cover. Flap lined in dark red cloth, covers lined with blue-grey paper. Each page of the Qur’an has lines of script, with circular motifs throughout sentences, bordered by simple red, black and gold lines. The first two pages are highly decorated. Motifs done in gold and blue, with pink, yellow, red and grey-green highlights throughout. Designs include plain lines, curvilinear lines, flowers, and hearts. Pink, blue and gold decorative bands divide sections of text. Some pages have floral and star-like designs along the edges. Designs done in pink, green, blue, yellow and gold.

Illuminated Qur’an with script written in black and green ink. Covers and spine made of brown leather, with painted designs on the covers. Front cover has a central oval-like shape, with curvilinear attachments on the sides. Back has an oval-like shape, with scalloped sides. Green floral designs inside of oval. Spine is undecorated. Covers lined with white paper. Each page of the Qur’an has lines of script, with red highlights throughout, bordered by stylized, gold leaf frames. Frames have dark blue lines protruding from all sides. Black and dark blue floral and curvilinear motifs decorate the frames. The first two pages of the Qur'an have additional decoration. The stylized frames have an inner white band with floral and dot motifs. Motifs done in white, pink, light blue and dark green. Some pages have large, green dots along the edges.

Illuminated Qur’an with script written in black ink. Covers made of brown leather, with incised and painted decorations. Spine made of painted cloth. Front cover has a raised, inner border, outlined in black paint on the outer edge and a wide band of gold leaf along the inner edge. Alternating incised lines and dots along the raised portion. Lines done in black, circles in gold. In the centre of the cover is a raised oval, with pointed ends, outlined in gold and black. Black curvilinear motifs across surface of oval, with impressed dots on each side. Dots are filled with gold leaf. Back cover has a raised, inner border, outlined in black and gold on either side. Covers lined with paper. Each page of the Qur’an has lines of script, with floral motifs throughout sentences, bordered by simple black and gold lines. The first two pages are highly decorated. Motifs are done in gold and blue, with pink, red, white and orange highlights throughout. Designs include curvilinear lines, feathers, flowers and arrows. Gold, red and blue decorative bands, with floral motifs, divide sections of text. Some pages have curvilinear designs along the edges. Designs are done in gold, blue and red, and filled with floral motifs. Pencil inscription on last page.

Illuminated Qur’an with naksh script written in black ink. Covers and spine made of brown-red leather, with identical floral, geometric and curvilinear motifs stamped both covers. Spine is undecorated. Edges of covers trimmed with two lines, circles in the corners. Raised, inner border, covered in motifs, surround a long oval. Circles in corners of raised portion. Ovals are filled with floral designs and bordered with curvilinear lines. Two bands, made of three plain lines and circles, extend from the top and bottom points of the ovals. They meet with the inner, raised borders. Flap closure attached to back cover, with matching designs along the surface. Spine of flap has stamped circles and lines. Flap and covers lined with white paper. Each page of the Qur’an has lines of script, with gold leaf and red paint highlights throughout, bordered by simple red and dark brown lines. The first and last page are highly decorated. Motifs on first page done in gold and blue, with dark purple, dark green, yellow and white highlights throughout. Designs include curvilinear lines, geometric forms, star-like shapes and flowers. Motifs on last page are done in gold, dark purple and blue. Designs are circular and curvilinear, text is written in red. Some pages of the Qur’an have characters written in red and black along the edges. Pages are numbered in pencil, in the bottom corners.