Baining bark cloth face mask. The hat has a sturdy formed brim, which expands into a conical crown, painted with repeating patterns of triangles on a continuous line that alternate in black and orange-red. A pointed wooden tip is inserted into the point of the hat. The conical crown is formed with a circular piece of wood, which has straight sticks attached to it, that extend up and meet at the tip. The interior of the crown is lined with large leaves. The face mask is attached to the hat where the brim meets the crown, and has a sturdy formed jaw line. The mask is painted with a skeletal face design showing sunken cheeks and forehead, open mouth with pointed teeth and large outlined black oval-shaped eyes. There is a hole through the centre of the forehead.

Black men's robe made of a rectangular piece of fabric, folded in half at the shoulder; long slit neck opening in the centre. White stripes, in groups of three or single, decorate robe overall. Triangular shaped pocket attached below neck opening, extending onto left side of chest. Pocket has an intricate knot, heart, "X" shape, and plain and dotted horizontal lines embroidered across it. Triangle-like paper patch stitched to back of neckline; "X" shape embroidered across centre. Embroidery on patch visible on back of robe. All embroidery done in dark yellow. Sides are hemmed, top and bottom edges are unfinished.

Lightbox photograph. Large digital photographic print mounted inside a painted, wood-framed lightbox, painted black. Print depicts three figures wearing grey camouflage on a mountainside. The mountainside stretches from the top left to the bottom right corner of the horizontal print. In the other half of the image, the cloudy sky is shown and another trapezoid-shaped mountain is visible in the background. The three figures are spaced evenly along the mountainside and are shown in profile. The figure higher up the slope is sitting with knees bent, head down and arms circling their knees. Figure in middle is most in focus, shown kneeling on the ground, head bent forward, with their arms stretched out in front. The figure towards the bottom of the slope is sitting with their back to the camera, with their head tilted down, leaning back on their right arm. The mountainside is covered in an assortment of grey, brown and white rocks, and pieces of obsidian.

Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.

Mushroom-shaped, bark cloth pubic cover. Consists of a bamboo cylinder, wrapped in bark cloth and secured with plant fibre, and circular head. Cylinder extends from back of cover. Structure of head formed with an inner strip of bamboo. Front is painted white. Cylinder is visible from front, in centre, and painted red, with a matching dotted line bordering it.

Canvas drawstring bag with repeating silkscreen-printed thunderbird motif. The thunderbird bodies are forward facing, with heads in profile. They are made of black designs with red highlights throughout. Black band border along bottom edge with alternating triangle motif. Bottom triangles are black. Top row has black triangular outlines; the rest of the space is naturally coloured. Black drawstring ties are on the front and back centre of bag, along the top edge. Holes for ties outlined with brass-coloured metal. Seam along back centre. Interior lined with clear plastic. Paper label with design and artist information affixed to base.

Paper mache Day of the Dead mask. Humanoid male with sunken eyes, a wide nose, and rounded face. Black curl painted along top edge of mask, in centre of forehead and in between thin eyebrows. Curl imitates hair. Black fuzzy fabric glued to sides of face and above mouth, imitating sideburns and chevron moustache. Face is painted pink beige, and nostrils and lips are red-pink. Eyes are blue, with black trim around them and their irises. Four gold-coloured teeth glued to top lip. Holes in mask for eyes, nose and mouth. Eye holes are oval-like and in between the painted eyes and eyebrows. Holes drilled into either side of mask, with an elastic cord knotted through. Inscription written inside mask.

Paper mache Day of the Dead mask. Humanoid male with sunken eyes, a wide nose, rosy cheeks, and rounded face. Multiple black curls painted along top edge of mask, in centre of forehead and in between bushy eyebrows. Curls are imitating hair. Black fuzzy fabric glued to sides of face and above mouth, imitating sideburns and handlebar moustache. Black dot painted on chin. Face is painted pink beige, and nostrils and lips are red-pink. Eyes are light blue, with black trim around them and their irises. Long eyelashes are done in black. Four gold-coloured teeth glued to top lip. Holes in mask for eyes, nose and mouth. Eye holes are oval-like and in between the painted eyes and eyebrows. Holes drilled into either side of mask, with an elastic cord knotted through. Inscription written inside mask.

Illuminated Qur’an, with naskh script written in black ink and pages edged with gold leaf. Covers and spine made of black leather, with raised floral and curvilinear motifs throughout. Long oval in centre of each cover, with stamped motifs. Spine is undecorated. Flap closure attached to back cover. Flap lined in dark red cloth, covers lined with blue-grey paper. Each page of the Qur’an has lines of script, with circular motifs throughout sentences, bordered by simple red, black and gold lines. The first two pages are highly decorated. Motifs done in gold and blue, with pink, yellow, red and grey-green highlights throughout. Designs include plain lines, curvilinear lines, flowers, and hearts. Pink, blue and gold decorative bands divide sections of text. Some pages have floral and star-like designs along the edges. Designs done in pink, green, blue, yellow and gold.

Illuminated Qur’an with script written in black and green ink. Covers and spine made of brown leather, with painted designs on the covers. Front cover has a central oval-like shape, with curvilinear attachments on the sides. Back has an oval-like shape, with scalloped sides. Green floral designs inside of oval. Spine is undecorated. Covers lined with white paper. Each page of the Qur’an has lines of script, with red highlights throughout, bordered by stylized, gold leaf frames. Frames have dark blue lines protruding from all sides. Black and dark blue floral and curvilinear motifs decorate the frames. The first two pages of the Qur'an have additional decoration. The stylized frames have an inner white band with floral and dot motifs. Motifs done in white, pink, light blue and dark green. Some pages have large, green dots along the edges.