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Rubbing2017-83/46
Rubbing2017-83/45
Rubbing2017-83/44
Tapa Cloth3130/1

Very large tapa cloth (shroud type) with a light orange background, painted with a grid of squares that fully cover the piece. Each grid is filled with a linear pattern of concentric boxes or horizontal wavy lines in dark brown. On top of this are painted thick stripes running from top to bottom in brown-grey with leaf shapes protruding from the middle lines, and triangles from the side lines. The long edges of the tapa have been left uncoloured, and have been painted with cross hatching and numbers in brown. One end of the piece has been cut, while the other is finished. The underside of the tapa is also painted orange, but undecorated except for the patterning that shows through from the front.

Culture
Wallisian and Futunan
Material
paper mulberry bark and paint
Made in
Wallis and Futuna
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3103/29

Large painted tapa cloth. Design is painted in a grid of 6 rows long by 3.5 rows wide. Almost entire cloth is stamped with dense designs in a reddish brown pigment. Darker designs are painted over that. Lower layer shows light brown wavy and diagonal lines, boxed circles, flowers, etc. Of the more dominant grid patterns, the top band is split in two with a small square of hearts one side and a square formed from triangles on the other; the next band shows designs made from diamonds and flattened triangles; the next shows an oval, formed by two crescent shapes, in between two single crescents with a four pointed star and a diamond on either side. The three bands then repeat again. The rough, frayed edges of the textile are unpainted.

Culture
Samoan ?
Material
pigment, paper mulberry bark and paint
Made in
Samoa ?
Holding Institution
MOA: University of British Columbia
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Print2014.313

Limited edition serigraph by Robert Davidson titled 'I am You and You are Me', 2008. Edition: 103/131. Inscribed, signed and dated by the artist, though the title is omitted from the actual print. A hand-shaped blindstamp is visible in the bottom left corner. Condition: Very good.

Culture
Haida and Tlingit and Northwest Coast
Material
paper, paint and pigment
Made in
British Columbia, Canada
Holding Institution
MAA: University of Cambridge
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Print2014.312

Limited edition serigraph by Robert Davidson titled 'Looking at Asymmetry', 2001. Edition: 35/111. Inscribed signed and dated by the artist. The bottom right hand corner displays a hand shaped blindstamp. Condition: Very good, small crease near to right edge.

Culture
Haida and Tlingit and Northwest Coast
Material
paper, paint and pigment
Made in
British Columbia, Canada
Holding Institution
MAA: University of Cambridge
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Print; Etching; Serigraph2014.311

Etching and lithograph by Lyle Wilson titled 'Ode to Billy Holm... Lalooska Duane Pasco... Johnathon Livingston Seagull', 1980. Edition: Artist's proof (Remarque 1/1). Inscribed, signed and dated by the artist. With black string across the top of the print and leaved embedded into the paper. Condition: very good- creases in paper, which appear part of the original process of manufacturing the paper.

Culture
Haisla and Northwest Coast
Material
paper and pigment
Made in
British Columbia, Canada
Holding Institution
MAA: University of Cambridge
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Print; Serigraph2014.310

Serigraph print by LesLIE (Leslie Robert Sam) titled 'Salmon Eggs', 2005. Edition: artists proof (museum remarque 1/1). Condition: excellent

Culture
Coast Salish and Northwest Coast
Material
pigment and paper
Made in
British Columbia, Canada
Holding Institution
MAA: University of Cambridge
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print2014.309

Print by Sonny Assu titled, 'Live from the Latch', 2012. Edition 27/67. Comes with a certificate signed and dated by the artist. Condition: excellent

Culture
Northwest Coast and Ligwilda'xw of the We Wai Kai First Nation
Material
pigment and paper
Made in
British Columbia, Canada
Holding Institution
MAA: University of Cambridge
View Item Record