Very large tapa cloth (shroud type) with a light orange background, painted with a grid of squares that fully cover the piece. Each grid is filled with a linear pattern of concentric boxes or horizontal wavy lines in dark brown. On top of this are painted thick stripes running from top to bottom in brown-grey with leaf shapes protruding from the middle lines, and triangles from the side lines. The long edges of the tapa have been left uncoloured, and have been painted with cross hatching and numbers in brown. One end of the piece has been cut, while the other is finished. The underside of the tapa is also painted orange, but undecorated except for the patterning that shows through from the front.

Limited edition serigraph by Robert Davidson titled 'I am You and You are Me', 2008. Edition: 103/131. Inscribed, signed and dated by the artist, though the title is omitted from the actual print. A hand-shaped blindstamp is visible in the bottom left corner. Condition: Very good.

Limited edition serigraph by Robert Davidson titled 'Looking at Asymmetry', 2001. Edition: 35/111. Inscribed signed and dated by the artist. The bottom right hand corner displays a hand shaped blindstamp. Condition: Very good, small crease near to right edge.

Etching and lithograph by Lyle Wilson titled 'Ode to Billy Holm... Lalooska Duane Pasco... Johnathon Livingston Seagull', 1980. Edition: Artist's proof (Remarque 1/1). Inscribed, signed and dated by the artist. With black string across the top of the print and leaved embedded into the paper. Condition: very good- creases in paper, which appear part of the original process of manufacturing the paper.

Serigraph print by LesLIE (Leslie Robert Sam) titled 'Salmon Eggs', 2005. Edition: artists proof (museum remarque 1/1). Condition: excellent

Print by Sonny Assu titled, 'Live from the Latch', 2012. Edition 27/67. Comes with a certificate signed and dated by the artist. Condition: excellent

Framed and mounted for the exhibition Gifts Discoveries, but not glazed. Stored in frame.