Vejigante carnival mask of painted paper mache construction. Mask is mainly painted a light grey-blue, with purple and white dots, and purple dashes on the horns. The white face with cut-out holes at the eyes and mouth. There are floral-like designs in gold and purple that spiral out from around the eyes. The eye sockets and nostrils are painted purple, with large false lashes glued to the upper edge of the eye sockets. Three long curved horns project out from the top and sides. The top, centre horn extends up, and curves forward, and has a small gold cross in front of green fern-like leaves. The right horn curls forward, in front of the face, and the left horn curls up and over the head. The top of the head is lined with four large red flowers with yellow stamens, and two orange and black butterfly. On both sides, a small painted white metal key hangs from the horns. The snout has a large open mouth with black stitching along the lips, and three pointed white teeth with red gums. Black, grey and red ribbons are tied to each side of the mask and hang down. The interior is painted red. Signed and dated inside.

Large Vejigante carnival mask of painted paper mache construction. Mask is of a bright yellow, red, and orange sun, with alternating long and short horns extending in a half circle around the head. Mask has a long wide nose, slit eye openings, and wide open mouth with three-pointed teeth; mouth outlined with red paint, teeth done in white. There are pronounced nostrils above centre of mouth, and thin ridges across forehead that connect to horns. Wavy painted lines extend from mouth towards horns; done in dark red and various orange shades. Short horns have wavy uneven edges; long horns are conical with protruding ridges that curl along the length. Gold-coloured semi-circular bar connects the five large horns near their midpoints. Hanging rod, made of plastic pipe, attached to back centre. Interior of mask is painted red; artist signature and date made, "2018 Roman" inscribed along left interior side.

Paper mache Day of the Dead mask. Humanoid male with sunken eyes, a wide nose, and rounded face. Black curl painted along top edge of mask, in centre of forehead and in between thin eyebrows. Curl imitates hair. Black fuzzy fabric glued to sides of face and above mouth, imitating sideburns and chevron moustache. Face is painted pink beige, and nostrils and lips are red-pink. Eyes are blue, with black trim around them and their irises. Four gold-coloured teeth glued to top lip. Holes in mask for eyes, nose and mouth. Eye holes are oval-like and in between the painted eyes and eyebrows. Holes drilled into either side of mask, with an elastic cord knotted through. Inscription written inside mask.

Paper mache Day of the Dead mask. Humanoid male with sunken eyes, a wide nose, rosy cheeks, and rounded face. Multiple black curls painted along top edge of mask, in centre of forehead and in between bushy eyebrows. Curls are imitating hair. Black fuzzy fabric glued to sides of face and above mouth, imitating sideburns and handlebar moustache. Black dot painted on chin. Face is painted pink beige, and nostrils and lips are red-pink. Eyes are light blue, with black trim around them and their irises. Long eyelashes are done in black. Four gold-coloured teeth glued to top lip. Holes in mask for eyes, nose and mouth. Eye holes are oval-like and in between the painted eyes and eyebrows. Holes drilled into either side of mask, with an elastic cord knotted through. Inscription written inside mask.

Doll (a) representing a male figure carved out of wood with articulated shoulders and ankles. His face and hands are painted white with painted black hair, eyebrows, eyes, a drooping moustache and a chin beard. He wears a separate black paper hat (b) with a narrow brim and black silk ribbons that tie in a bow under his chin. A nail at the top of his head helps keep the hat in place. He wears a long sleeveless blue silk vest, gored and pleated under the arms, and fastened with a dingle button over a gored long-sleeved white silk coat fastening with ribbons tied in a single loop. Beneath this are an under-jacket with blue ribbons tied in a single-loop bow and under-trousers. His ankles are wrapped in white material, and he wears pointed shoes made of paper (?) covered with white cloth and painted with black linear and looped designs at the front and back.

Vejigante carnival mask of painted paper mache construction. Mask is mainly painted yellow, with cut-out holes at the eyes and mouth. The eyes are outlined in a red dotted design, with yellow and red flame-like brow projections above. Six long curved horns project outward at the top and sides, four green at the sides and back and two multicoloured at the top. The snout has a large open mouth with two upper white canine teeth. Signed and dated inside. (Horn repaired since photograph.)

Vejigante carnival mask of painted paper mache construction. Mask is mainly painted orange, covered in red and gold dots, with cut-out holes at the eyes and mouth. There is an eye-mask like swath of red across the eyes with red and yellow flame-like brow projections above the eye holes. Six long curved horns project out around top and sides, four orange and two red, and each side has red and gold ribbons tied at the side holes with one gold ribbon tied across the inside, for wearing. The snout has a large open mouth full of pointed white teeth with pink gums. Signed and dated inside.

A papier-mache figure of an Ecuadorian Highlands peasant woman ready to plant potatoes. The figure is wearing a grey-white hat, and a grey-white shawl that has been secured with a metal, light yellow straight pin. She is also wearing a green shirt, a brown apron with a pocket, and a long pink skirt.

The spruce root is natural and blue.

Stiff headdress of shiny white fabric decorated with silver sequins (a), and including four additional numerous components that insert into the central portion of the headdress. The front is rounded and flat on top, with an oval disc of white plastic at the centre front. The back half rises at a right angle to the front and is bulbous and rounded at the back. Inserted into the bottom of the centre back are two wing-like projections (b,c), rectangular with rounded corners. Also inserted into the headdress, at the sides, are two leaf-shaped projections (d,e).