Museum Purchase: Funds provided by Arlene Schnitzer, Beverly Terry, Quintana Galleries, and by bequest of Elizabeth Cole Butler by exchange, for the 2014 New for the Wall.

Museum Purchase: Funds provided by Arlene Schnitzer, Beverly Terry, Quintana Galleries, and by bequest of Elizabeth Cole Butler by exchange, for the 2014 New for the Wall.

Gift of an anonymous donor.

Gift of an anonymous donor.

Museum Purchase: Funds provided by an anonymous donor.

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art.

Carved wooden ikenga figure resting on a round base. Head is perched on a stylized pillar consisting of 3 thin bars. Straight central pillar is surrounded by 1 rounded pillar and 2 triangular ones. Oval head is minimally carved with protruding forehead, nose, and chin. A carved garland decorates both sides of chin. Short intricate headdress constructed from a thin main bar decorated with 2 half crescents carved with diagonal lines on top, and 2 curved bands carved with horizontal lines hanging below. 3 small round bolts protrude from the front and back of the main bar.

Standing female figure (ibeji) on square base. Female stands upright with arms connected to waist. Round eyes are closed with 3 pointed lines carved under each. Ears are flat against the head. Fibre loops strung with small oval shells are tied around each arm. Stylized triangles are carved into the chest and lower back. Breasts form rounded points. Headdress is short with a ridge extending around the head. Raised vertical lines connect to the middle of the ridge to form a flat triangle. Horizontal lines circle all parts of the headdress with traces of blue pigment remaining in the crevices.

Standing female figure (ibeji) on flat base. Female stands upright, arms curved to connect with thighs. Long fingers carved into hands. Thin rounded stomach under pointed breasts. Stylized face is round with wide lips, flat nose, and 3 thin lines on each cheek. Eyes are open with round pupils and dark irises. Ears stick out from head. Thin headdress carved with ripple pattern curves around back and narrows before flaring out at neck. Top band connects to vertical bands carved with same pattern. Traces of blue pigment on eyes and headdress. Feet have faint imprint of long toes.

Standing male figure (ibeji) on square base. Wide shouldered male figure stands upright, arms curved to connect with the hips, protruding phallus. Face is stylized and intricately carved, with angular ridged nose, large eyes with carved decoration across centre, three groves down each cheek, and ears that connect with the neck. Headdress is tall, consisting of several joined V shapes that meet at top centre, connecting with a round piece, pointed at bottom, circular and carved at top.