This collar is richly decorated with claws (bear's?) and fur appendages wrapped with quillwork and yarns. It might have been used for the singer to attract the Hoply People.

Anonymous loan

Brooklyn Museum Collection

Headdress frontlet with a wooden bear crest, set within a frame, and painted red, green, and black. The back is unpainted. The frame as well as the bear's eyes, teeth, and paws have inlaid sections of carved abalone shell. Long ermine trailers hang down the back and sea lion whiskers stick out from the top. The headdress would have been worn for a Welcome or Peace Dance. The face's thick, heavy, black eyebrows help to corroborate this attribution. A fistful of eagle down feathers would be placed inside the center of the frontlet. As the chief danced and bowed and greeted his audience, the feathers would float out of his headdress symbolizing peace and friendship. In Tshimshian this was known as Am-halait or "power from the Sky." CONDITION: The object is in fair and stable condition. Special care in handling the piece should be taken for it was treated with arsenic in the past.

By exchange

The object,known as a "copper," was cut into the shape of a shield from a flat sheet of copper alloy and hammered out to produce the animal face on the upper section and the ridge on the lower section. The upper section of this copper contains either the head of a bear or a beaver and has exposed metal as well as black and white painted areas. The delineation of the animal head on the upper area was achieved by scratching through painted and exposed metal areas. The lower section of the copper has two black painted panels with a vertical ridge. On the back of the object, there is some corrosion that is stable. The object is in good condition with minor surface scratches overall. Coppers were used as status symbols and were important economical commodities for their owners. The owner could break off part of one during a potlatch ceremony to demonstrate his or her largesse although this one shows no signs of having been used this way.

Brooklyn Museum Collection

Museum Expedtion 1931, Museum Collection Fund

This shirt has deer skins tied to the lower corners, possibly reflecting the legs of the deer. There are long fringes in a 'V' on the front bib, along the outer length of the arms and on the bottom sides. Short fringe is on the wrist end of the sleeve. The bottom edge is scalloped. A wide band of red ocher is striped vertically down the shirt on either side of the bib.

This is a conical type wooden hat with a separate piece of a sculpted man wearing a status hat inserted into the front. The figure has an open mouth with white teeth. The underside of the "hat" is actually not hollowed out so it could not be worn down over the head but it could have been perched on top or only used as a sculptural piece.