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Engraved Conch Shell60.53.1

Engraved conch shell depicting bird-man form with beaked mask and "speech scroll" coming from mouth. Engraved lines are painted with brown pigment. Streamer lines extend from head. Perforated spool in ear. The arms are extended with feathered wings hanging down. Feet are claws. Wears ankle band, necklace and belt.Such conch shells were used as cups to hold a drink made from yaupon leaves used as a purge during ceremonies.

Culture
Mississippian
Material
conch shell and pigment
Holding Institution
Brooklyn Museum
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Talking Man Mask58.181.4

This deeply carved mask is painted with brown, red, green and white. It has painted eyebrows and teeth. The jaw is loose and could be manipulated in a dance performance to indicate a talking mask. This mask is identified as representing an orator, the individual who would recount the histories that were dramatized by Winter Dance performers. The lower jaw, articulated to produce a more lifelike effect, would be moved to imitate the actions of the performer as he spoke. These types of masks were once common among many Northwest Coast tribes and each had their own stories to tell. The deeply carved and exaggerated features of this image are more typical of Heiltsuk that Haida style but the mask could have come from either nation. The otherworldly appearance of the mask would have been attenuated by the flickering light and shadows of the fire lit performance.

Culture
Haida
Material
wood and pigment
Holding Institution
Brooklyn Museum
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Standing Figure03.325.4527

The figure is the one third from the left. It has an open mouth with closed eyes. One of his arms is held across his chest and the other across the chest touching his shoulder. His head has a serrated edge as if wearing a headdress. See also 03.325.4528- 34. These figures were all found together inside a painted pot. They were purchased from the German trader, Cronmeyer.

Culture
Mimbres
Material
stone and pigment
Holding Institution
Brooklyn Museum
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Ball-headed War Club with Carvings of Birds and Men50.67.84

This is a ball-headed type of war club. The incised designs on the handle include six birds on one side and four (possibly) dancing or fihjting figures on the other. The bird motifs are filled with black paint, the figures with red paint. The ball is painted black and there is fire decoration on the handle. The painted and incised designs on this club consist of six black gallinaceous birds (prairie chicken-like in silhouette) on one side. On the opposite side, two pairs of red human figures run toward one another. Each of the four carries a pipe in one hand and, in the other, an upraised arrow in an enigmatic pose. As demonstrated in this example, clubs were carved from one piece of wood. Often a thick branch attached to a trunk was chosen, or a knot of a tree would be formed into a head and the attached portion of the trunk into a handle, so that the grain had structural strength. The club is flat handled and sided and stained black at both the handle end and ball end.

Culture
Chippewa
Material
wood and pigment
Holding Institution
Brooklyn Museum
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Sacred Basket with Prayer Sticks (Kitan) Used in Night Chant or Mountain Chant05.588.7117a-b

The basket for these prayer sticks has never been located. This impressive set has 101 prayer sticks of different sizes, colors, and patterns, strung together. Some singers kept a "sample" roll of prayer sticks to aid in making the ones used in all the various chants. This possibly might be a sample roll and never had a basket. It also might have been made for display purposes as usually the prayer sticks were destroyed during the ceremonies.

Culture
Navajo
Material
wood, fibre and pigment
Holding Institution
Brooklyn Museum
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Feather Box11.694.9027

First number was X956.2. This feather box is made from one piece of wood. There is a rectangular hole in one end of the box bottom. The opposite end is broken. Inside in pencil there is what appears to be written name F.L...Something. The top has a nine point star engraved on it. It is tied when closed with leather thing tied around it. The bottom has remnants of blue paint which is an Osage practice according to Sean Standing Bear, 10/20/2000.

Culture
Osage
Material
wood, pigment and hide
Holding Institution
Brooklyn Museum
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Girl's Moccasins Attached to Leggings11.694.9002

Possibly not Osage made but Cheyenne or Arapaho woman's small boot moccasins with tall leggings. The use of black beads is more Cheyenne. Nicely done beadwork is on the vamp and partway up the leggings in white, yellow, pink and blue.

Culture
Osage
Material
hide, pigment and bead
Holding Institution
Brooklyn Museum
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Die, from a Set of 7 Dice11.694.9000.3

Seven dice in total: 5 round bone pieces and 2 falcon-shaped bone pieces. They are pictured in "Objects of Myth and Memory." Each die has a component of 11.694.9000.1a-g painted on it, e.g. 11.694.9000.1a.

Culture
Osage
Material
bone and pigment
Holding Institution
Brooklyn Museum
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Parfleche Bag43.201.156

Parfleche bag with brightly colored geometric designs painted on the front. Probably Crow.

Culture
Crow
Material
hide and pigment
Holding Institution
Brooklyn Museum
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Die, from a Set of 7 Dice11.694.9000.1

Seven dice in total: 5 round bone pieces and 2 falcon-shaped bone pieces. They are pictured in "Objects of Myth and Memory." Each die has a component of 11.694.9000.1a-g painted on it, e.g. 11.694.9000.1a.

Culture
Osage
Material
bone and pigment
Holding Institution
Brooklyn Museum
View Item Record