These leggings match 50.67.3a. The treatment of the skin of the leggings seems close to that of the shirt in texture and color as well as similar to the leggings of 50.67.9a-b. However, the color of the painting on the shirt and leggings differ with the shirt having red and black pigment and the leggings painted a reddish brown. The leggings show signs of use. The top is stretched and the ties twisted to conform to how they would have been tied. The leggings have tabbed bottoms, cut short across the top of the inset. The internal fringe is quite long, some 10 1/2 inches at the longest. Both leggings are painted with horizontal stripes, the proper right with nine stripes and the left with ten. The color varies from orange on the front to brown on the back.

Brooklyn Museum Collection

Constructed from a single piece of recycled buffalo hide, formerly painted, these side seam moccasins retain some of the design known as "box and border," in particular one of the terminal parts of the "box" pattern on the painted soles. The painting may have been scraped off the piece of the skin that forms the upper section. The decoration of the vamp is primarily bird quills. These "U" shaped sections of the moccasins are made up of concentric parallel lines. The bottom of the "U", nearer the toe, is composed of three yellow bands, alternating with orange. The upper part of the"U" is physically continuous with this, but is delineated by an abrupt change in color. Alternating rectangles of brown and blue make up the parallel, shorter bands in this section. Thin rows of yellow, orange, and black porcupine quill cover the side seam. Blue pony beads adorn the edge of the tongue and cuff. The laces are ornamented at the tips with tin cones stuffed with red deer hair. All the sewing is done with sinew. See Jarvis supplemental file in Arts of Americas' office.

This shirt is constructed with very little tailoring. It is left open at the sides and a triangular bib is sewn on at the neck. This bib is decorated with blue pony beads, patterned with rows of triangles. Strips made of porcupine quillwork and maidenhair fern stems have been placed on the arms, shoulders and as epaulets. Long buckskin fringes have been added at the sides of the shirt, the bottom, and the sleeves. The shirt is dyed a yellowish-orange color. On the proper right side, many narrow, brown, horizontal bands that are bisected at one end have been painted. These have been said to stand for horse whips. On the proper left, four hourglass shapes, almost completely filled in with black, have been painted. They have been said to stand for cloth or blankets. The triangular neck flap is beaded somewhat differently from front to back. The front shows two rows of triangles whereas the back includes a third row that contains two triangles. The blue beads visually square off the pointed end of the skin and are similar to the design on Jarvis shirt 50.67.1a.

Along the outside edge of each legging is a strip of quillwork, with red, a white and a purplish-brown stripe. The strip is edged on one side with blue pony beads and on the other with white seed beads. The back of each legging is decorated with horizontal brown painted stripes. Side tabs at the top are sewn on separately, as are the flaps for the heels.

The object is a large carved wooden ladle (a), decorated in black and red paint, with a separately carved wooden skull (b) nesting in its bowl. At the end of the ladle's handle is an animal head. Both skull and animal head have pieces of fur attached.

The object is the shirt of a Yanktonai Sioux Man. It matches leggings #50.67.3b-c. It is constructed of soft light tan pliable leather. The sides of the shirt are open and have leather thongs to lace them together. The lower edge of the shirt is cut into short rectangles like a fringe. The large triangular bibs frame the neck, one at the front of the shirt, and one at the back, and are decorated with red and black dots. The neck is decorated with dark blue cut glass beads spaced about 1 1/2 inches apart. The lower edges of the shirt, the sleeve cuffs, and the triangular neckpieces are decorated with diamond-shaped perforations in lines, triangles and face patterns. There is a porcupine quill medallion in the center of the chest at the bottom point of the triangle. It is made up of concentric rings of red, blue, yellow, brown, and white plaited quills. The seams of the shoulders and the sleeves are decorated with leather fringes and red and blue quills wrapped around hair bundles. Among some tribes it is believed that hair carries some of the characteristics of the person or animal from which it comes. Therefore, using hair in clothing may give the wearer additional strength, speed, or another positive attribute. Each sleeve is decorated on the underside with a series of seven black lines. The body of the shirt is also decorated with drawings of hunting scenes that include horses, a bison, and spears. Holes in the leather are backed with red stroud cloth. Stroud cloth is a coarse, close-weave wool textile that was imported from England and commonly used among Native Americans in garments and blankets. Red was the most frequently used color although navy and green were also produced and traded, and the colored selvedges were often prized as decorative elements. The shirt is in stable condition. There is old insect damage to the medallion quills. Many of the quills are faded. Also, some of the red stroud cloth patches have old insect damage. A leather tassel is torn along decorative perforations. See additional material in Jarvis report in Arts of Americas' files.

Eagle Dancer (Kwahu) Kachina Doll. Figure is carved from one piece of cottonwood root. He stands with PR arm raised and PL arm lower with both outstretched with pair of 'eagle' wings on arms and back. Chest is ½ yellow and ½ blue over pink painted body. Arms from elbow to wrist have the opposite colors from the chest. Legs are painted to match the chest. He wears a carved white kilt. He wears a blue and white beaded necklace. The helmet style mask has large, disk-like red ears with cotton stuffed near his head where they are attached and turquoise bead loop earrings. He has a feathered headdress in back on his head. His PR foot is raised. Both feet hare barefoot. His beak is open and you can see his red tongue. Wears a fur ruff around his neck. The eagle dance is a prayer for good crops, rain, and plentiful eagle feathers as their feathers are important in many ceremonies because the bird is thought to be sacred. This Kachina usually appears in a group of several forming a dance troop, squawking and imitating eagle behavior while the Koyemshi (mudhead clowns) sing to them. The sponsoring kiva must fast, abstain from sex, and no eating of salty or fatty foods before the dance.

This double headed, shallow drum is made of skin stretched over a frame. The hide surface is laced close. A projection of stiff rawhide from the top of the drum is now mostly missing. However, the Fort Snelling military officer and artist, Seth Eastman, drew this particular example, showing that this projection originally represented a bird, possibly a thunderbird. The handle is on the right side if the drum is held upright, as shown in the Eastman sketch. There are native repairs on the reverse. The painted design on one side is now brown with darker outlining. Original notes made by Larson on the Eastman sketch list concentric circles from the outside in: "red, deep yellow and yellowish." In addition, the central and largest ovoid field, formerly yellowish and now simply lighter in color, is painted with a smaller brownish (formerly red?) ovoid at the center. This form in turn is surrounded by even smaller circles or dots on the palest ovoid filed, which may have once been yellow and red.

The object (bottom in photograph) is a carved wooden feast spoon by Tom Price. A "true' whale crest design has been painted on the bowl and lower handle of the spoon with black and red pigment. The spoon is in good and stable condition. Small hole at end of handle; 'blind' crack from end of handle running to hole. Old small losses on end of handle and on lower edge of spoon bowl. Small losses of black pigment along side of handle edges.See also 05.588.7332.