Carved, wood stool consisting of a standing figure on a base with bent knees and arms extending parallel to body. Palms facing inside body. The large, oval shaped face is fringed with cassowary feathers and elaborately painted brown, black and white. Framing the face is inlaid with small cowrie shells. The face has circular-like shapes encompassing the large protruding eyes inlaid with shells. The nose is long, narrow and slightly projects at the tip. On the cheeks are triangular tattoo-like incisions. The mouth is open with the tongue protruding out. The chest is incised with geometric designs and a large rectangular carved pendant in the middle. Around the waist is a woven cord loincloth covering the prominent genital area. Attached to the lower back of the figure is semi-circular stool with a small mask on lower part of leg. The face is incised with lines and has protruding eyes, nose and tongue. The body of the figure is covered in black, charcoal ? pigment.

Carved wooden standing figure with his arms hanging down to his bent knees. The face is large and circular with exaggerated protruding eyes inlaid with shell; a long nose bridge and a hollow septum that holds a bundle of fibre. The mouth is slightly triangular in shape with its teeth bared. The head and chest have a repeating triangular geometric pattern carved in relief and painted with orange and white pigment; the stomach has a stylized design around the bellybutton. Bundles of fibres are attached to the ears; fibre cords with fibre bundles are tied around the stomach covering the groan, wrist and ankles. The figure stands on a circular base.

Long, carved wooden gong, cylindrical in shape with two protruding handles at both ends. The sides are carved in relief with a stylized geometric design that has triangular detailing. The handles have a bird-like figure with a long beak and forehead; two cylindrical shaped arm-like structures run along its side. Underneath is a semi-circular piece of wood detailed with a geometric design the runs from the top of the figures head to the side of the drum. Drum is slit at top from one end to the other; covered with a thin layer of red ochre.

Carved wooden, oval shaped mask representing a face. The top of the head is inlaid with two different types of shells. The forehead is elongated with a ridge down the middle and recessed eyes inlaid with cowrie shells. The nose is protruding and has a section of a boar tusk in each nostril. The mouth is partly open exposing carved teeth. Bundles of sennit fibre line the bottom edge. The mask is painted with orange, black and white pigment. The back is undecorated.

Necklace made from a single large, crescent shaped piece of shell painted red, with a thick, woven, red coloured neck strap. A round piece of dyed red skin with fur is attached by a short string to the centre of the neck strap.

Large rectangular tapa cloth with handpainted designs in light and dark brown on natural coloured ground. In the centre are ‘X’ motifs, flanked on each side by church-like buildings and surrounded by stars and dots. Towards the ends are forest scenes. Each end has four squares, some containing numbers to show where cuts are made during special ceremonies.

Fibre woven U-shaped bag with two rectangular straps attached at the back. The front of the bag is decorated with painted sections of red and black step design. The edge and the bottom are undecorated; top is open.

Tapa cloth with two shades of brown on natural ground. In the centre are eight panels with diagonal lines containing letters. Flanking the centre panels are many blocks containing floral motifs. Both ends have short pairs of diagonal lines and numbers. The cloth is made of several large strips attached together.

Bentwood box, fastened with cedar bark at seam, with base (part a), lid (part b) and woven cedar pouch inside (part c). Outside edges of lid and base covered in red ochre; traces of ochre over entire outer surface. Two sides each have two small holes for handles of which only a small piece remains.

Tumbuan body mask/costume. Mask is composed of a conical basketry top with woven facial features near the top, which is finished with a lip that juts upwards and outwards to form a circle as viewed from the top. The top is painted in alternating white and orange vertical bands. The bottom of the mask is finished with a long fringe attached to a ring of bent branch.