Unevenly rectangular slab of wood incised on one side with a central crocodile figure bordered with geometric patterns of triangles, ovals and diagonal lines on the top and bottom pattern. Fibre ties run through four holes in the wood on the back. The surface is covered in charcoal pigment.

Undecorated, unpainted, cylindrical brown wood shaft (a) with a knob on one end and an eight-pronged, roughly rectangular stone head (b) on the other end. In a groove on the shaft beyond the head, there is a triangular metal blade (c). A small ring of fibre encircles the shaft at the head. The club head is painted with radiating grey and orange lines, mostly worn away on the underside.

Part of a tumbuan body mask/costume. Fibre mask, conical in shape with a sennit fringe around the bottom edge and outlining the central face. The entire body is painted with a faded white, black and red zigzag-like pattern. The face has a red triangular pattern outlined in black on a white ground. The eyes are black woven circles with holes in the middle; the red nose is woven and protrudes out with a long bundle of sennit hanging down from the tip. The brow consists of black bird skin while the painted forehead is lined with cassowary feathers and toped with a piece of cuscus skin. The inside is hollow.

Oval shield that has a rectangular boss (10 x 6 x 1 cm.) with the longest dimension parallel to the width of the shield and in the approximate centre of the vertical surface. Boss enclosed by geometric design of bands all approximately 2 cm. in width, separated by thick black lines. Series of six bands alternately natural and yellow ochre coloured, joined to form squares, surround the boss which is outlined by an oval band. Points of squares aligned parallel to the longest and widest axes of the shield, respectively. Final points of sixth square touch edges at either side. Top and bottom form points of new series of squares with this repetitive pattern incomplete. Undecorated dorsal surface is hollowed at the centre to form a vertically placed handle.

Tumbuan body mask/costume. A tall conical fibre, woven mask with two faces. At the top is a bird-like face crowned with cuscus fur and cassowary feathers; it has a long, protruding beak with a large feathered tassel at the end. At the centre of the body is a black human head made of clay with inlaid shell eyes and decoration; the top has human hair and feathers. Above are open eyeholes for the wearer, on the sides are armholes. The mask is of woven rattan over a bamboo frame, painted with red and white stripes and other detailing.

Paddle with a leaf-shaped blade painted black and a cylindrical handle decorated with bands of red pigment. The butt end of the handle is ornamented with a stylized carved crocodile head finial with a carved loop beneath the neck.

Carved wood drum with an hourglass-like shape. At the middle is a carved, rounded handle with two lines of diamond-shaped protrusions on either side; in between are bands of a repeated design that have a cowrie shell-like appearance. Each opening has a similar triangular design detail (crocodile?). One end of the drum has a carved rim.

A bulging conical helmet style mask of woven rattan with a large crest for a nose and concentric rings for eyes. The back is open at lower bottom; the inside is unpainted. Exterior has geometric zig-zag designs around face, and block of colour on top of head. Black painted conical 'ears', one each side. A leather loop hangs from the top, a woven loop is at the tip of the nose.

A round pot, tapering to the neck, then flaring at the rim. Two handles are shaped like beaks, concentric discs above are eyes. At right angles are two features comprised of an eye above a u-shaped outline of raised clay. Below, running between the handles, is a line of sockets. Pigment is white and pink.

Flute consisting of a large piece of loose skinned bamboo, bound with two sets of crisscrossing fibre and three cassowary feather rings at the top, middle and bottom. The stop of the flute is a carved kneeling man facing outwards with a crested bird standing behind him with its claws ? resting on the man’s head. The bird has a large extending crest on its head, long groups of feathers hanging from the side of its head and carved stylized detailing on its body. Both the bird and the man have cowrie eyes; the bird also has four tassels down the back. The figures and the fibre ties on the bamboo are covered in a black pigment.