Canoe prow with a large animal head with upward-sloping jaws or a beak at the front, an upper figure of a double-headed animal with a forward-facing face reminiscent of the larger animal's head, and a rearward-facing face with down-sloping jaws or a beak. Below this figure is a support with two incised and painted concentric circles. The geometric designs and facial features are emphasized with black, light pinkish-brown, and white pigment.

Carved wooden yipwon (hook figure). Downward pointed hook shaped in the form of a human figure (part a). The figure is wearing a triangular shaped, flat headdress. The eyes are inlayed with cowrie shells, the nose projects slightly with a hollow septum, the mouth is small and incised while the chin is long and pointed. The body of the figure consists of opposed hooks encircling a central protrusion and two upward facing hooks appearing like human ribs. The frame hooks or back of the figure curves in slightly then ends with one human leg with a small foot and carved toes. The hook is stained black. Covering part of the figure’s head is a cassowary feather wig (part b) with skin that has been has been pierced in two places and fibre strands tied through.

Short bamboo section, bound with fibres and with fibre and feather rings at top and bottom. The stop is a kneeling man with a crested bird on his head. Both have cowrie eyes, the bird also has a row of fibre tassels on its back while the man has 1 in his nose. The bird also has a tuft of feathers on its cheek.

Bamboo pole bound with bamboo grass, covered with dark pigment, and divided by three rings of woven bamboo grass and dark feathers. The wooden stop forms a crocodile merging into a crested bird. Both have cowrie eyes; the bird also has a row of fibre tassels hanging from the back and a cheek mound with feathers, shells, and a fibre loop.

Flute formed by a bamboo tube, split its whole length, held together with rings and lashings of bark and with a hole in the side near the stop. The wooden stop has a kneeling woman, with a bird on top of her head, and a human head upside down behind her legs with black cassowary feathers adorning it. Cowrie shells are inlaid into the eyes, the bird's neck, and the human foreheads. There is hair on the human heads and another fringe of cassowary feathers at the open end.

Half calabash gourd that has a heart-shaped bowl incised entirely with linear rings of diamond shapes, and crosshatching. The rings are in concentric circles to the centre. All designs are dark from rubbed soot.

Headdress composed of a piece of tapa cloth with rounded corners and decorated with bands of zigzag in red ochre. Woven and wound string with a linear pattern in light grey Job's Tears seeds and segments of black bamboo. The exposed string is rubbed with red, black and yellow pigment (?).

Large wooden mask. Has a pointed brow with slanted oval eyes that have white rings for irises. Large beaked, inward curving nose which becomes part of the face. The eyes and the mouth areas are painted black with the remainder stained with red ochre. The mouth is very small and has an open u-shape. From ear to ear, there are small notched ridges from around the face. The whole mask is surrounded with grasses and other natural fibres. Eight holes hold grass ring to mask.

Round bowl with flat rim edges and with two red-brown bands. The body is light brown. Inside bottom is red-brown.

Domed headdress made from human hair covered with ridged clay; mainly light purple with two bands of red and orange separated by a large light green area. There is a slightly protruding area with a ring of exposed natural hair at its base. The protruding area is covered in six roughly triangular red, orange and green shapes separated by red and light purple lines. The inside is human hair held in place by a cord. There are 13 holes fitted with rusty iron springs and three segments of iron chain at the back of the headdress.