Ikenga statute in three sections on an oval pedestal with four angled protuberance rising above. On these, theree rests an elongated face forming the second section. Scarification marks are incised from corners of the mouth, and the cheeks. Back of head has five lines carved from the top of the head to the base, joining at that point. Third section is an elaborate headdress with large horns that curve away from the head. Flaring outwards slightly. Outside of horns are incised with three sets of wavy lines. Three knobs face forward and backward at the base of the headdress.Traces of indigo and ochre overall. A twisted fibre cord is tied around horns, with a loop at end. Has a circular base.

Standing wood female figure (ibeji) on oval base. Figure has a long trunk and arms on short stocky legs. Arms are at the sides. Has protruding stomach, breasts, and buttocks. Large head with facial features in relief of large protruding eyes having incised eyelids and eight incised notches on each cheek with three at the forehead. Tall pointed four-sided headdress with knob at top is patterned with incised lines. Recesses filled with indigo dye. Large pierced ears placed far back on the head. Earring of strung horn beads and one jasper. Arm on the right has brass bracelet with spiral incising. Two strings of dark horn beads at waist. Necklace of elongated blue beads with one red jasper bead. Incising at back of head, spine, and stomach. Carved wood piece with dark brown patina and red camwood in areas.

Wood bowl in the shape of a seabird, probably a loon, with the neck extended outward and forward and the back hollowed to form a dish. The bird has circular abalone shell inlaid eyes surrounded by a plain tapering oval and a beak covered with red ochre. The body of the bird is painted black with eight oval opercula inset around the rim. On the upper surface of the tail, there is a face design that has small white circular inset bead eyes surrounded by an oval and a tapering oval, a nose, and an open mouth coated with red ochre showing four plain teeth.

Standing wood figure (ibeji) on oval base. Male figure with long neck; trunk and arms are on short, stocky legs with long feet. Arms at the sides. Has genitalia, protruding stomach, nipples, and buttocks. Blue lapis lazuli(?) beads on cotton string around neck. Carved facial features in relief of large closed ovoid eyes and eight incised notches on each cheek. Wearing pointed headdress with crest front to back and patterning of incised lines; headdress is coloured with indigo pigment. Carved wood piece with dark brown patina.

Oval-shaped wood piece with the back hollowed out. Human face. Worn white painted surface with red spots showing through. Dyed blue are the long, incised crescent lines for the eyebrows, the inside of the mouth, and one line from the nose to the mouth. Blue spots in other facial areas. Wood of cheek and eye areas has been cut away. Lozenge-shaped eyes, and mouth open to underside. Mouth at rim of cut-away area is asymmetrical to nose. Two articulated wedge-shaped wood pieces nailed, one at each temple. Drilled holes in head and forehead for feathers now missing. Holes, one on each temple has twisted synthetic cord strung between them. Knotted brown shoelace(?) piece in hole on left.

Standing wood male figure (ibeji) on round base. Figure has a long trunk and arms on short stocky legs. Arms are at the sides. Has protruding stomach, nipples, buttocks, and genitalia. Large head with facial features in relief of large protruding eyes having incised eyelids. Arranged on each cheek, there are seven incised notches with three at the forehead. Large pierced ears placed far back on head. Earring of strung white shell(?) beads and one jasper disc. Tall pointed four-sided headdress with knob at top is patterned with incised lines, of which the recesses are filled with indigo. Arm on the right has plain silver bracelet. Two strings of dark horn beads at waist. Necklace of blue glass(?). Incising at back of head, spine, and stomach. Carved wood piece with dark brown patina and red camwood paste in areas.

Reversible cylindrical pot stand; red/brown waffle pattern with six dark brown, almond-shaped, incised designs; middle of each has a waffle pattern with white pigment.

Tapa cloth with panels divided by dark brown lines. The rectangles are decorated with geometric designs, banner-like designs, and inscriptions in brown. The three smaller rectangles at one end have segments of the same designs.

Pot (part b) with carved dark brown wood figure (part a) on top. Figure (part a) is sitting with his hands on his knees and with a dried and cracked encrustation over the upward pointing, dark brown hair on the head. Hair is bound with string to form a tuff on top of the head. Base of the figure fits into the pot. Clay ginger pot (part b) of Chinese origin with a six-sided base, and a circular top covered on the outside with a string in woven pattern. There is an encrustment over the string. String handle on pot which looks fragile but is in good condition.

Oval, trough-like container; open at both ends, long sides turned up; wood stained with ochre; inner surface adze marked, smoothed with use. Open ends are stained and worn from use. Outer surface has adze marks all over. Seven digit number scratched on base.