Rectangular block of ink with two indented brown Chinese characters above a slightly raised image of a building with a tiered roof on one face and a series of Chinese characters on the reverse.

Triangular in shape, grey clay sherd with a rounded rim and a slightly concaved body. The sherd has a green slip and is painted black with thick lines. Fragment of a larger object.

Dark brown mask with a large, stylized antelope head rising from the top; mask completely shields the face, with only two small eye holes. Covered with geometric painted designs in red and white.

Standing wood figure (ibeji). Head is capped with a bright blue pigment on the conical headdress. Cap is decorated with diagonal ridges. Seven tribal scarification marks on the cheeks, four of which are horizontal while the other three are vertically above the horizontal. Extended arms have hands touching thighs. Has very short legs in relation to body and the feet are large. Stands on circular pedestal. Beads around neck and hips. Covered with red camwood paste.

Standing wood female figure (ibeji). Head is capped with a conical four-sided rounded headdress. Three scarification marks are horizontally incised along the cheeks. Extended arms have hands touching thighs.Has breasts. Has short legs in relation to body and the feet are very large. Stands on circular pedestal. Beads around neck and hips. Covered with camwood paste.

Women's head, with typical woman's coiffure, on circular base. The eyes are slitted horizontally with slightly rounded eyelids. The eyebrows are curved and slightly upraised. There is a nose, a prim mouth, chin and pinched ears. The hair consists of conical-like protrusions extending outward from the head. The neck has three protruding bulges. The base is two-stepped.

Circular, round-bottomed cooking pot made of off-white clay. Pot has large opening with a slightly flared lip. Body is wide at the shoulder, coming to a sharp ridge. Large semi-circular outlines extend from ridge, towards opening; done with orange-red pigment. Lip also coloured orange-red. Rest of pot is undecorated. Base and sides have burn marks.

Circular, round-bottomed cooking pot made of grey clay. Pot has a large opening with a slightly flared lip. Body is wide at the shoulder, coming to a sharp ridge. Large, solid semi-circles extend from ridge, towards opening; done with red-orange pigment. Edge of lip also coloured red-orange. Rest of pot is undecorated. Base and interior have burn marks.

Yam mask made of tightly woven plant fibre around a stick frame with a large crest edged with feathers, a long, narrow, circular ridge as a nose, large bulbous eyes, and a small protruding oval mouth and tongue. The face of the mask is mostly an ochre red, while the lower portion around the mouth is black at the bottom with tan areas from the lower outside edge to the black. The nose is a tall ridge along the entire face down to the mouth, mostly red but with white along the edge and black in line with the face. The eyes are large white woven balls which protrude from either side of the nose ridge, with tan irises and small holes in the centre. The crest is roughly triangular with rounded edges rising to a point above the face, edged with soft white feathers with brown tips. The crest begins at the top of the face with a black triangle, outlined by widening stripes to create the shape of the crest. These stripes are: tan, then a red stripe made up of loops of basketry to create a fence-like appearance, then a white stripe, then a black stripe made of loops of basketry, and then a final tan stripe along the edge. The edge of the woven crest is tied with string to a stick that goes around the edge, the feathers are attached to the stick. The back and inside of the mask are unpainted plant fibre.

Carved black wooden yipwon (hook figure). Downward pointed hook containing the form of a human figure in profile. The figure's face is carved underneath the uppermost hook. The face is elongated with a furrowed brow, sharp cheekbones and chin. The eyes are closed and the mouth is small with a defined lower lip. The body of the figure consists of four opposed hooks encircling a central diamond shaped protrusion. The back of the hook is slightly curved, ends with one human leg with a striped knee and a small foot. The surface of the wood has been blackened.