Double-sided, unglazed and unpainted ceramic sculpture with an oval-shaped base and raised foot. Sculpture is triangular with a woman forming one side and a man the opposite. Female figure is wearing a dark orange veil, and scalloped headdress with a cross protruding from the top. A naked man is nailed to it, with a small sign above his head. The large female figure is wearing a long pink robe, with her hands held in front of her body, holding a pointed crown(?). Her robe has incised dots and raised floral and curvilinear motifs throughout. Her veil drapes down either of her body, in a trianglular shape, and is covered in raised floral and incised curvilinear motifs. In front of her, is a tall male figure, flanked on either side by six smaller male figures. All are wearing robes with raised floral and incised curvilinear motifs. The central figure has both hands raised up, the others have their arms crossed or hands held in prayer. In front of all of the figures, on the base of the sculpture, are plates, cups, a platter of food, and a jug. The male figure, on the opposite side of the sculpture, has a long moustache, pointed beard and curly hair. He is wearing a pointed headdress with a cross protruding from the top. A winged woman, wearing a crown, is tied to the cross. The large male figure is wearing a long robe, with his hands clasped in front of his body, holding a large flower. His robe has raised and incised curvilinear and dot motifs throughout. On either side of his body, the triangle sculpture is covered in raised floral and incised curvilinear motifs. Beneath him, there are two scalloped archways with a scalloped pedestal in between. A baby lies on the pedestal, with a man and woman on either side of him. Both are wearing capes and robes covered in raised floral motifs. The woman is wearing a veil and both their hands are held up in prayer. A horse and cow kneel next to them, looking up at the baby. In the two flanking archways are angels, wearing robes identical to the man and woman. In front of these figures, along the edge of the sculpture base, are three men wearing capes and headdresses, and holding offerings. The men on the sides are riding horses, the man in the centre is on an elephant. Throughout the scene are flowers. All figures, crockery, plants, and animals on the sculpture are beige, with dark orange highlights throughout. Artist signature carved along the sculpture foot.

Nkisi figure made of wood. Figure stands on a round platform with knees slightly bent. The arms are bent at the elbows, with both hands placed on a protruding abdomen with an empty hollowed-out space at centre. Each elbow is wrapped, and the right wrap contains a bird foot. The skullcap is raised, with a single horn mounted to the crown. The eyes are narrow slits, with wooden pupils, and the open rectangular mouth has four wooden teeth. Hanging from the pointed chin is a strip of reddish-brown hide. The long neck, waist and ankles are all wrapped and coloured a reddish-orange. The body is heavily decorated, notably on the face and chest.

Large painted tapa cloth. Design is painted in a grid of 6 rows long by 3.5 rows wide. Almost entire cloth is stamped with dense designs in a reddish brown pigment. Darker designs are painted over that. Lower layer shows light brown wavy and diagonal lines, boxed circles, flowers, etc. Of the more dominant grid patterns, the top band is split in two with a small square of hearts one side and a square formed from triangles on the other; the next band shows designs made from diamonds and flattened triangles; the next shows an oval, formed by two crescent shapes, in between two single crescents with a four pointed star and a diamond on either side. The three bands then repeat again. The rough, frayed edges of the textile are unpainted.

Limited edition serigraph by Robert Davidson titled 'I am You and You are Me', 2008. Edition: 103/131. Inscribed, signed and dated by the artist, though the title is omitted from the actual print. A hand-shaped blindstamp is visible in the bottom left corner. Condition: Very good.

Limited edition serigraph by Robert Davidson titled 'Looking at Asymmetry', 2001. Edition: 35/111. Inscribed signed and dated by the artist. The bottom right hand corner displays a hand shaped blindstamp. Condition: Very good, small crease near to right edge.

Etching and lithograph by Lyle Wilson titled 'Ode to Billy Holm... Lalooska Duane Pasco... Johnathon Livingston Seagull', 1980. Edition: Artist's proof (Remarque 1/1). Inscribed, signed and dated by the artist. With black string across the top of the print and leaved embedded into the paper. Condition: very good- creases in paper, which appear part of the original process of manufacturing the paper.

Serigraph print by LesLIE (Leslie Robert Sam) titled 'Salmon Eggs', 2005. Edition: artists proof (museum remarque 1/1). Condition: excellent

Print by Sonny Assu titled, 'Live from the Latch', 2012. Edition 27/67. Comes with a certificate signed and dated by the artist. Condition: excellent

Very large tapa cloth with pattern showing square divisions. The outside columns are left an un-pigmented light brown, with numbers inscribed in dark black and brown. The inner columns feature geometric designs and images.

Framed and mounted for the exhibition Gifts Discoveries, but not glazed. Stored in frame.