Wooden hand plough. Two long pieces of wood are inserted through a round centre piece. One end, the handle, is lashed together with plant fibre near the end, and another twisted plant fibre midway down, and the opposite ends are inserted into two metal blades. A third piece of wood, that is slightly S-shaped, is inserted through the round centre piece at an angle. This piece of wood is further attached by a length of skin which is tied to the other two pieces of wood.

Horn container with carved wooden lid. The small horn appear to have a boar bristle fringe at the end. The carved wooden stopper is larger than the horn container. The stopper has a humanoid face on the front with an owl-like head above it; five human figures are carved in a row up the back, each with their hands on the shoulders of the one in front. The stopper is tied onto the horn with a thin fibre cord. There are holes drilled through the lid and horn for securing the closure, but the pin is missing.

Baining bark cloth face mask. The hat has a sturdy formed brim, which expands into a conical crown, painted with repeating patterns of triangles on a continuous line that alternate in black and orange-red. A pointed wooden tip is inserted into the point of the hat. The conical crown is formed with a circular piece of wood, which has straight sticks attached to it, that extend up and meet at the tip. The interior of the crown is lined with large leaves. The face mask is attached to the hat where the brim meets the crown, and has a sturdy formed jaw line. The mask is painted with a skeletal face design showing sunken cheeks and forehead, open mouth with pointed teeth and large outlined black oval-shaped eyes. There is a hole through the centre of the forehead.

Ceremonial parang (part a) with scabbard (part b). Long knife has a cylindrical horn hilt that tapers towards top; rectangular protrusion extends from left side. Both top half of hilt and protrusion are hollowed out. Circular, curvilinear, linear, and fang-like motifs carved in relief along upper half of hilt; hilt grip covered with woven band of rattan. Holes are drilled into the tapered section of the hilt, for hanging purposes; hilt attached to blade with resin. Knife blade is convex on one side, slightly concave on the other, and widens from the hilt; back edge of point is tiered. Linear, "X" designs, geometric, and curvilinear motifs incised along front of blade. Scabbard is composed of wood sheath for the long knife, and has a smaller plant fibre and fabric sheath tied to back with rattan. Wood sheath is made of two pieces of wood bound together with rattan; upper two bands of rattan are plain, bottom four are tied decoratively. Panels decorated with floral and curvilinear motifs carved along front of wood sheath. Smaller sheath is undecorated and has two pieces of bamboo along the interior edges, providing shape. Long braided rattan cord, with looped ends, threaded through small sheath, for carrying purposes.

Cassowary feather headdress consisting of a curved, braided band with twisted ties on either end. Multiple feathers are bound tightly to pieces of reed(?) and the bundles are woven into two layers along the band. Feathers at front are red-brown and black; back feathers are a mix of white and light brown. Additional layer of bound reeds woven along back of band.

Rattle with a ball-shaped head and wooden handle. Ball is made of seed(?) beads and is decorated with alternating stripes; done in brown and dark brown. Cylindrical protrusion on top of head with an opening, showing hollow interior. A band of red feathers is tied around the midpoint of the handle; additional plant ties at base.

Dance skirt consisting of a beaded waistband with strands of segmented reeds(?) extending from the bottom edge. Waistband is decorated with an alternating red and blue horizontal stripe pattern; single yellow bead inside a red stripe. Braided plant fibre loops with cords extend from either end of the band, for securing. Groupings of large, hollow and triangular seeds are strung through the bottoms of the strands; second from left and right sides has only one seed, rest of strands have two.

Black clay pot for palm wine. Pot has a braided plant fibre handle; secured with a tie around the neck. Lip flares out slightly before extending into a straight neck. The body bulges outward before tapering into a raised foot. Neck, upper body and lower body are decorated with bands consisting of incised lines with raised rectangles throughout. Wide band wraps around body and is made up of triangles with ovals at the centres; negative space is filled with incised lines with raised rectangles throughout. Foot has an incised wavy line, bordered with imprinted squares, along the bottom edge; base is undecorated.

Snuff mortar (part a) and pestle (part b) made of wood. Mortar has a cylinder-like body with an oval-shaped opening and base. It flares out at the bottom; area is marked with an incised line. Tied around the mortar is a long braided cord of plant fibre; used to hold pestle to mortar. The pestle is a thin rod with a natural curve at the base.

Dance skirt consisting of a blue beaded waistband with strands of segmented reeds(?) and braided plant fibre extending from the bottom edge. Braided plant fibre loops extend from either end of the waistband; long cord protrudes from right side, for securing. Groupings of large, hollow and triangular shaped seeds are strung through the bottoms of the strands; groups are of two and three.