Carved wooden mask depicting a humanoid face, wearing an elaborate coiffure. Face has a short thin nose over small puckered mouth; eyes are partially closed and rest underneath raised semi-circular eyebrows. Small ears extend from either side of head; chin circled with protruding triangles, with cutouts in centres. Rectangle, with ridges across front, extends from bottom centre of chin. Small patches of raised cross-hatching on cheeks and next to ears; raised circles carved underneath eyes. Coiffure has a tall arch in the middle, with horn-like protrusions that wrap around base of arch before pointing downward, on either side of head; pin-like carving pierces front of coiffure. Entire coiffure is decorated with incised lines. Sides of mask have braided plant fibre threaded through them; interior is hollowed. (Plastic tie threaded across back centre of mask, for hanging purposes.)

Wooden hand plough. Two long pieces of wood are inserted through a round centre piece. One end, the handle, is lashed together with plant fibre near the end, and another twisted plant fibre midway down, and the opposite ends are inserted into two metal blades. A third piece of wood, that is slightly S-shaped, is inserted through the round centre piece at an angle. This piece of wood is further attached by a length of skin which is tied to the other two pieces of wood.

Masenqo or single-stringed bowed lute (part a) with bow (part b). The lute has a diamond-shaped resonator is made of four small wooden boards glued together, then covered with stretched rawhide, which is stitched together. The single string is made of horse hair, and passes through a wooden bridge. The hair is knotted to a large tuning peg. The bow (part b) is composed of a U-shaped piece of wood that has plaited plant fibre strung between holes at the ends of the wood, and then tied.

Horn container with carved wooden lid. The small horn appear to have a boar bristle fringe at the end. The carved wooden stopper is larger than the horn container. The stopper has a humanoid face on the front with an owl-like head above it; five human figures are carved in a row up the back, each with their hands on the shoulders of the one in front. The stopper is tied onto the horn with a thin fibre cord. There are holes drilled through the lid and horn for securing the closure, but the pin is missing.

Baining bark cloth face mask. The hat has a sturdy formed brim, which expands into a conical crown, painted with repeating patterns of triangles on a continuous line that alternate in black and orange-red. A pointed wooden tip is inserted into the point of the hat. The conical crown is formed with a circular piece of wood, which has straight sticks attached to it, that extend up and meet at the tip. The interior of the crown is lined with large leaves. The face mask is attached to the hat where the brim meets the crown, and has a sturdy formed jaw line. The mask is painted with a skeletal face design showing sunken cheeks and forehead, open mouth with pointed teeth and large outlined black oval-shaped eyes. There is a hole through the centre of the forehead.

Strung wooden bow with carved tips and grip; string made up of plant fibre. All elements are stained(?). Carvings on tips of bow consist of a curved plant motif; space between plants is cutout. Grip protrudes from belly of bow and is shaped like a sitting bird. String is twisted on either end, to secure loops around string nocks. Woven diamond in centre of string; bottom half of diamond is cutout, top is solid. Space between string nocks and carvings on tip are wrapped in plant fibre; grip wrapped in same fibre.

Quiver (part a) with ten arrow shafts inside (parts b-k), and four extra arrow shafts (parts l-o); all components are stained(?). Quiver is a stalk of bamboo with the top cut off; base is concave. Arrows are different lengths and have an assortment of points: pointed, flat, and slightly tapered. All of their tops have been split and have had plant fibre, folded into a triangle, inserted through it; to act as fletching. Space above has been wrapped in black and grey fibre, to hold shafts together.

Carrying basket with straps. Large basket with a square base, bulbous mid-section, and loosely woven flared rim. A thick plaited strap is tied just below the flared top, and is threaded through the open weaving, leaving a loop on each side, and the remaining cord hangs on the exterior.

Large chest (part a) with hinged lid, rectangular handles on either side, secured with ornate clasps, and on wooden wheels. Interior has thin compartments on either side, with hinged lids; removable tray fits in between compartments (part b). Chest has metal inlayed decorations across front; back and sides are undecorated. Designs consist of two rectangles framing a central circle with an "A" inside it. Rectangles are filled with curvilinear, geometric and dot motifs. Additional curvilinear designs around keyhole and clasps. Rectangular metal panels are attached to edges on front of chest. Large cutouts along bottom edges on all sides, in centre; left and right side cutouts are semi-circular, front is scalloped, and back is trapezoid-like. Interior of chest lid has a raised design of four columns with five alcoves in between. Outer alcoves have circles filled with flower petals, inner alcoves are empty, and central alcove has a square mirror; columns are filled with flower-shaped pieces of cloth and sequins. Removable tray inside chest is divided into six sections; two vertical ones on either side, two horizontal ones in middle with two small square ones in between larger horizontal sections. Top centre section has a hinged lid. Linear, floral, curvilinear, and geometric motifs carved throughout interior.

Storage basket with designs woven in. Square bottom with alternating sections of large rectangle with horizontal bands and meandering design throughout three smaller stacked sections. Throughout these designs, large angled stripes cut through the finer designs.