Pair of rubber sandals with V-shaped straps; straps threaded through cuts in insoles and nailed down. Soles are flat, rounded at toes and heel; centre of insole is dark brown, edges and sole are black. Straps are red leather and have patterned bands across surfaces. Pattern alternates between rectangles with red and orange stripes and checkers, and blue rectangles with repeating gold hourglass-like shapes. Section of strap holding tip of V to insole is plain leather; plain leather tie secured to V with white and red knob.

Pair of leather and rubber sandals with ankle and toe loop straps; straps threaded through cuts in insoles and nailed down. Soles are flat, rounded at toes and heels; “X”’s incised along edges of rounded sections of insoles. Straps are beige leather and have patterned bands across surfaces. Patterns consist of: triangles and zigzags, thin and thick stripes, checkered bands, and diagonal stripes. Designs done in dark blue, gold, white, dark red, and green.

Long-sleeved tunic. Standing collar with two buttons. Shirt flares out with two side slits - one on each side. Chest pocket on left side of chest. Fabric has subtle raised stripes and zigzags in the material. Patch in centre of chest, which is below but part of the area with two buttons. Three buttons at cuffs.

Fly whisk. The handle is a short and relatively straight stick covered with woven back and yellow fibre, held together by orange stitching. At upper end is a long, thick hank of white horse hair, attached by a tightly woven panel fibre. Hair thins toward end of whisk.

Cape in a shiny bright blue fabric with small silver ovoid pattern all over. Semi-circular with triangle where the cape is sewn at chest. Five ties or flaps that hang down from the bottom edge, and two more ties where it closes at chest. Interior lined with a light green.

White pants that bulge above the knee; with knee patches. Four button closure on front. Seven belt loops. Hemmed pant legs.

Round beaded staff with feathers and beads hanging from hide cords along the length. The staff is completely covered in beadwork, long stripes of animal fur and hide, so that the material of the staff itself is hidden. The top end has an elongated, off-white bird head carved in plastic (made to look like bone), ending in the pointed beak. A long hide thong attached along the side holds a combination of long brown feathers, and plastic beads on shorter thongs.

Pair of snowshoes (parts a-b) made of wooden frames with two curved crossbars. Babiche latticework between the frame and crossbars; latticework reinforced with plastic ties along frame. Shoes are rounded before tapering at the ends; shoes are flat. The frame consists of one piece of wood that has been bent into shape; ends are secured with nails below the front crossbar. Middle section of latticework is woven wider than front and back sections. Oval-shaped gaps in weave, underneath front crossbar, for feet; skin ties secured to sides of gaps. Decorative tufts of light blue, orange and dark purple wool are attached along the outer edges of frames, on front and back ends. Grooves cut into frame above wool decoration. The longer snowshoe (part b) has a knotted cord tied around the frame above the front crossbar, along the left side.

Ghost net dari (or dhari) headdress. Headpiece is shaped like an inverted-U, with a horizontal line through the middle. Five lines extend from the top of the centre line. Middle one is straight and connects with the top edge; other four form inverted-U shapes and reconnect with the centre line. Two additional curved lines protrude from the middle line, connecting with the main body of the headpiece. Curved and inverted-U shaped lines are all dark blue; straight lines and headpiece are done in olive green, dark blue and green. Headpiece has an outer green border and it is connected to the headpiece with black zigzags. White feather-like protrusions extend from outer edges of green border; protrusions in bottom corners are longer than rest and undecorated. Rest of protrusions have had their ends cut; long diagonal lines extend from tips. All protrusions are secured with wire, wrapped in green. Orange circle is tied to top centre of headpiece with three feather-like shapes extending from it. Long black "feather" in the middle, framed by smaller white and black ones, is topped with tufts of white plastic.

Dari (or dhari) feather headdress. Headpiece is shaped like an inverted-U, with a horizontal line through the middle. Three lines extend from the top of the centre line, connecting with the top edge; outer lines are curved, middle line is straight. All pieces are made of cane, wrapped in orange fibre. Headpiece has an outer border of plastic; connected to headpiece with black cane, shaped into a zigzag. White feathers protrude from outer edges of plastic, secured with black fibre; feathers in bottom corners are longer than rest and undecorated. Rest of white feathers have had their ends cut; each has three small triangles on either side and long diagonal lines at the tip. Large red seed is tied to the top centre of the headpiece and has three feathers extending from it. Long grey feather in the middle, framed by smaller white and black ones, is topped with a tuft of white feathers; secured to grey feather with white fibre.