String puppet or marionette myin (white horse) character consisting of a horse (part a) and saddle (part b). The horse is composed of many wooden parts, which are attached at the joints by string or nails. The mane and tail are made of plant fibre. The bridle and saddle are made of woven and velour fabrics, decorated with sequins, beads, tassels and embroidery. The horse is white with black hooves and is decorated with orange and yellow patterns. The horse is attached by many grey strings to a wooden control bar composed of a single long piece of wood with three cross-bars. The saddle (part b) is covered with red velvet, and has two long nails to attach to the horse.

Small plastic packet with nine thimble-shaped halves of yellow silkworm cocoon. The paper insert is printed with 'Cambodian Silk Worm', 'Made in Cambodia' and more information.

White ceramic pipe bowl (part a) with a partly handmade wooden stem (part b). Outside of bowl is oblong and upright, painted on front with a green and brown scene of a buck walking through a forest. The bowl sits inside one arm of the ceramic double shank, with the thin wooden stem emerging from the other. Bit and lip appear to be made from a plastic-like material (possibly added later). A thin tie of twisted wool in green and tan is attached where bowl meets shank.

Navy blue cotton with linear embroidery and multicolour applique. Woven strap along top with string of red beads and an engraved coin-like bead. Appliqued section features embroidered band with alternating triangular design in centre, horizontal bands above and vertical sections on either end. Section of bottom features braided fringe and embroidered buttons attached to strings of beads with alternating coloured tassels.

Men’s apron ornament. Ornament is made of woven red yarn, with a short waist band and long ties that fasten at back. From waist hang three flaps of approximately 10 cm in length, white cowrie shells attached by plastic thread to the hem. At their bottoms hang long, thick tufts of straight animal hair, ranging in colour from light yellow-brown to dark brown or black.

Rosary beads. Stone beads strung on plastic fibre are green with veins of white, mainly square in shape with a few flat pieces intermixed. At bottom is a flat diamond made of the same stone, with a very small hole bored into bottom point to which is tied a white tassel.

Robe is a vibrant pink, with long wide sleeves, and short water sleeves falling from each wrist. Collar stands upright, with lapel crossing over chest to tie at right side of torso under the arm. Decoration is thread embroidered flowers and foliage in dark green and blue embellished with translucent beads, applied around each wrist, on chest and neck, and both front and back across skirt. Interior of robe is lined in cotton. Stiff headdress (part b) is covered with the same fabric, and holds similar embroidery on front. Shape is squared with wide, scalloped rim at top that curls near the ears. Two long ties fall from the sides, each with an embroidered panel at bottom.

Robe and collar worn by statue of three-eyed Cantonese opera patron deity, Hwa Kwong. Statue dressed in this robe would have been displayed on an altar. White robe has long sleeves, the right cuffed at wrist, the left with a water sleeve. Right shoulder has an added panel. Neck is small and rounded, and robe opens from the right side of the torso where it is secured with ties and metal snaps. Front is heavily decorated in colourful sequins, with three gold and red dragons at centre of chest, surrounded by curving lines in a variety of colours that continue onto the left shoulder, right shoulder-panel, and around back of neck. Bottom front is densely sequined in diagonal lines, and is lined in blue on the interior. Arms have curling lines in silver. Back of robe is undecorated but for a symbol in gold sequins. Collar (part b) is round, with ties at back to fasten it around neck. It is also heavily sequined, showing two gold dragons amongst colourful curling lines. Back is lined in blue.

Pair of silver earrings. Done in filigree, earring shape consists of a circle at top holding at centre a round cubic zirconia stone surrounded by small pearls. Beneath circle sits a half-circle swag, from which swing nine thin triangle shapes. A thin hook sits at top of each earring, to insert into the wearer’s ear.

Luzbel devil costume; large black velvet sequinned tunic (part b), with matching pants (part c). Made of black velvet with white fringe all along bottom of tunic, cuffs, and pant legs. Tunic has shiny red wing-like extensions with solid red sequin stickers underneath. Separate star or comet(?) designs on each arm. Back of tunic has heavily sequinned Mayan design in green, silver and red; large red devil face on front. Many plastic discs and flowers sewn on. Two silver six-point stars with a short string of silver bead garland are attached on the left side. Black corduroy pants have drawstring waist, and sequinned designs on pant legs and below devil face. (Part a is the matching cape.)