Tin retablo altar depicting 'Our Lady of Solitude.' The case of the altar is made of tin and glass. The top and bottom of the object form a trapezoid. Three of the four sides of the case are glass in a tin border. The back side of the case is tin that has been polished on one side to give it a mirror effect. Along the top edge of the case, there are decorative pieces of tin with scalloped edges. These pieces are also embossed. The front piece has a flower and leaves embossed into it. There are decorative pieces of tin along the bottom edge of the case too. These pieces have straight edges and are embossed with a half-circle design. Inside the glass, there is a small figure of a woman, created out of plastic and fabric. Her elbows are bent and her hands are joined together in prayer. Due to her large garment, most of the woman’s body is obscured from view. Only her hands and her face are visible. The woman’s eyes are closed. Her garment is a hooded robe that has a triangular shape. The garment is brown with gold seams and brown sparkles arranged into a sun motif. She wears a gold crown on top of her head. The woman stands upon a small tin base that has flowers embossed in it. In the background, there is a wooden frame to which there are tin foil flowers and leaves affixed. The flowers are orange, yellow, red and pink on the front and some are blue on the back. Stamped into the ceiling inside the case is the word is the word ‘Mexico’ written backwards. On the top exterior of the case, there is a small triangular hook. On the back of the altar, there is a small hole. There is also a number and some indecipherable words written. On the bottom of the object there is a number and some letters written in a white pencil.

Silver crucifix on a beaded necklace. Necklace is made up of many colours, shapes and sizes of beads. The beads are plastic, some with no decoration while others are embellished with dots, swirls, lines and flowers. The necklace closes at the top with a hook and loop clasp. The silver crucifix is attached to the necklace by a ring, and shows Christ on the cross. The cross is decorated with engraved lines, swirls and circles. The back of the cross is undecorated.

Silver crucifix on a beaded necklace. Necklace is made up of many colours, shapes and sizes of beads. The beads are plastic, some with no decoration while others are embellished with dots, swirls and lines. The necklace closes at the top with a hook and loop clasp. The silver crucifix shows Christ nailed to the cross, and is decorated with engraved lines to mimic wood. The back of the cross is undecorated.

Long, rectangular, brown mask. The sack-like mask is made of tree bark stitched along either side. The top of the mask folds over behind the head and has a dark brown fringe made of bark strips which cascades down the back like hair. Two eyeholes are made at the bottom of the mask, below the face. The face of the mask is a large oval made of dried black resin, painted with white and yellow features and geometric patterns. There are two large semi-circles on the forehead, four concentric circles for the eyes and cheeks, vertical lines decorating the eyebrows and a small semi-circle mouth forming a smile. The face has protruding triangular nose and eyebrows made of balsa wood.

Silver pin used for fastening mantles. The head of the tupu is a flower, with silver leaves surrounding a white opaque glass piece in the centre. To the left and right of the opaque piece are two beads, one green and one blue, below which are two wide leaves. From the leaves hangs a hand, topped by a decorated cuff. The index finger and thumb hold a ring.

Long, rectangular, brown mask. The sack-like mask is made of tree bark stitched along either side. The top of the mask folds over behind the head and has a dark brown fringe made of bark strips which cascades down the back like hair. Two eyeholes are made at the bottom of the mask, below the face. The face of the mask is a long oval made of black resin painted with yellow and white lines. The mouth is a large protruding circle made of balsa wood with square lips cut into the wood. There are no eyes or other facial features evident.

Long, rectangular, brown mask. The sack-like mask is made of tree bark stitched along either side. The top of the mask folds over behind the head. Two eyeholes are made at the bottom of the mask, below the face. The face of the mask is a long oval made of black resin painted with yellow and white circles and lines. The mouth and area around the eyes are made of balsa wood that juts out. The left eye is missing; the other is a square piece of metallic material. The mouth is a large circle with bug casings(?) lining the circle. There are tufts of grass around the bottom of the mouth area.

Long, rectangular, brown mask. The sack-like mask is made of tree bark stitched along either side. The top of the mask folds over behind the head and has a dark brown fringe made of bark strips which cascades down the back like hair. Two eyeholes are made at the bottom of the mask, below the face. The face of the mask is a large oval made of dried black resin, painted with white and yellow features and geometric patterns. The mouth is a triangle, the eyes are circles, the cheeks are semi-circles and there is a triangular crown design on the forehead. The face has a protruding triangular nose and eyebrows made of balsa wood.

Rod puppet named Gatotkaca. The face is blue, with black decorations painted around the red eyes. A moustache and beard surround the red mouth. The puppet wears an intricate diadem, with a decorated hair curl that features the image of an eagle. On his back are finely cut wings, decorated with paint on the outside and sewn together at the middle. He wears a sleeveless top decorated with beads, and a matching apron with green ribbons that hang down the sides. A sarong is attached at the waist and hides a wooden stick that extends up through the torso and into the puppet’s head to control its movement. The arms are decorated with bracelets carved like birds, and are moveable at the elbows and shoulder by wooden sticks attached to each hand. The wooden stand (part b) is square and painted black.

Panakawan puppet named Semar. The head (part a) has a white face with protruding bumps behind each ear and in the middle of the forehead. The eyes are partially open and have red pupils. Below the small nose is an open smiling mouth with one white tooth protruding from the lower gum. The lower lip protrudes out past the upper, which is lined with a small black moustache. A tuft of fibre hair sticks out of the top of the head, and the black painted hair is gathered at the back of the head in a bun. The torso (part b) is uncovered and painted black. There is a bulge between the shoulders at the back, and to the front are a plump pectoral area and a bulging belly. A white bag with a strap is draped horizontally across the chest. A checked sarong with a green waistband falls past the puppet’s feet and hides a removable wooden stick, embedded in a white wooden base, (part c) that extends through the torso to control the movement of the head. The arms are moveable at shoulder and elbow by wooden sticks attached to each hand. Red bracelets surround each wrist. The thumb and third and fourth fingers of each hand are curled into the palm, while the first and second fingers remain straight.