Dark brown wooden dart holder (part a), with a comb? (b) and 43 darts (parts c-qq). Quiver (a) is long and cylindrical, made of palm wood, with resin around the base. String is tied around the rim and attaches to a woven lid. The lid is woven in a zig zag pattern and there is resin on the top and around the lid. Inside the quiver there is a bundle of sticks wrapped in twine to hold the darts in place. Part b is a wooden rectangle with six triangular points on the top, and a resin coating along the bottom. (c-qq) Each dart is composed of a thin wooden stick with cotton tied to the tips with a thin piece of string.

Rod puppet of Irawan. The head (part a) has a white face with black painted features and a red smiling mouth. Green pompoms hang from above each ear. The black hair is topped by an elaborate headdress that includes a carving of the bird Garuda. The torso (part b) is covered by a black velvet bib with beaded decoration. A matching apron with peach coloured panels hangs from the waist, as does a long sarong, which hides a wooden stick (part c) that extends up through the torso and into the puppet’s head to control its movement. The arms, adorned with bracelets, are moveable at shoulder and elbow by wooden sticks attached to each hand. The round, wood base (part d) has been painted white.

Rod puppet (wayang golek) of a god character, Batara Kamajaya. The puppet has a white face with finely painted features and red smiling lips slightly parted. On his head is a large headdress, curved above the head at the back, painted gold. In front of the ear on the left side is a hanging pink pompom. A black velvet bib hangs around the neck and covers the torso, and is decorated with sequence and beads. At the waist sits a long sarong, tied with green twine. Below the sarong is a wooden stick that extends up through the torso and into the puppet’s head to control its movement. The puppet’s arms are moveable at shoulder and elbow by wooden sticks attached to each hand. The elbow joints are tied with green twine. The parts of the puppet are (a) head, (b) body, (c) arm stick, (d) torso stick, (e) stand. The arm stick for the right hand has become detached.

Rod puppet called Dewi Lambu. The wooden head (part a) has a white face with features painted in black, and a red mouth. The nose is sharp and protrudes, as do the ears. Green pompoms hang down both sides of her face. A large, pointed, colourful headdress covers her black hair. The gold torso (part b) is clothed in a beaded black velvet bodice with hanging panels and two long green ribbons. A sarong falls from the waist and hides a wooden stick that extends up through the torso and into the puppet’s head to control its movement. The arms are moveable at the elbows and shoulder by wooden sticks attached to each hand. The stand (part c, along with the attached torso stick) is a piece of raw unpainted wood attached to a square of plywood.

Rod puppet called Sri Kandi, a warrior archer. The wooden head (part a) has a white face with features painted in black, and a red mouth and forehead decoration. The nose and ears protrude, and green pompoms hang down both sides of her face. Covering her black hair is a colourful diadem that includes a carved pelican. The golden torso is covered by a beaded black velvet bodice with hanging panels and wide green ribbons. A sarong hides a wooden stick (part c) that extends up through the torso and into the puppet’s head to control its movement. The arms are moveable at the elbows and shoulder by wooden sticks attached to each hand. The stand (part d) is a round piece of unpainted wood.

Multicoloured woven belt with horizontal square and rectangular sections decorated with images of people, animals, abstract and geometric shapes. Recognizable animals include rabbits and birds. The sections of human imagery depict two standing figures in profile facing each other; they are both wearing hats and triangular grey skirts. Tassle ends each have one long large oblong object wrapped with horizontal stripes of dark purple, yellow, dark pink, and grey-blue tufted yarn. Two loops of stiff plastic(?) are wrapped in synthetic thread protruding from the bottom of the oblong object. Each loop has two more loops threaded through it, wrapped at the centre with tufts of synthetic yarn in dark pink, grey green, purple, and dark yellow. The ends of the four loops each have a skein of yarn in a matching colour tied to the bottom.

Small tightly woven bag with design of three standing birds in profile. On one side birds are in red on green base; other side, birds are in green on red base. Both sides have purple bottom band of colour and an alternating blue and brown top band with a left facing chevron pattern. Bag has a light blue zipper closure on top edge.

Rectangular bag with red zipper closure, completely covered in embroidery. Black base colour with large pink and orange roses and foliage with different hues of green, blue, and purple. Sides of bag are in a stacked V pattern in multiple colours. Bag lined with brown cotton fabric.

Rod puppet of Arimbi, a noblewoman, riding a horse. The woman’s head (part a) has a white face with finely painted features. She wears an elaborately carved headdress that includes an image of an eagle, over long curly hair. Her torso (part b) is covered by a black velvet bodice and cape and a printed sarong, and around her neck is a wide shoulder and back ornament. Her arms are adorned with bracelets and are moveable at shoulder and elbow by wooden sticks attached to each hand. The puppet sits on a black horse (part c). The horse’s head can be moved slightly and it has real hair for mane and tail. The legs are moveable at the hip and shoulders, and it appears that a front and a rear leg have been exchanged, as two hooves point backwards. Through the horse’s middle is a hole through which a stick (part d) can be inserted that extends into the torso of the rider, holding the puppets together and controlling their body movements. The torso stick can be inserted into a large wooden base, which is painted black.

Rod puppet (wayang golek) of the character of Bima, Pandhawa Prince. The head (part a) has a long, curling rear portion, known as a gelund supit urang, with decorative ear ornaments (called sumping). The red eyes protrude, as does the nose, above a smiling mouth surrounded by a moustache and beard. His torso (part b) is bare but for a blue serpent encircling the neck. A sarong is belted with a decorative golden sash and beaded velvet hangings. The sarong hides a removable wooden stick (part c) that extends through the torso to control the movement of the head. Bracelets adorn the arms, and each hand has, rather than a middle finger, a kuku ponconoco- a magical red claw used as a weapon. The arms are moveable at the shoulder and elbow by wooden sticks attached to each hand.