A pink-brown wood mask with attached dark brown hair for the eyebrows and the moustache. The black eyes are outlined with red while the mouth is red outlined with black and has two white teeth with another white protrusion above in the middle. The nose is wide with the nostrils cut out, and there are also slits cut out underneath the eyes. The lower jaw is attached with leather. The face is accentuated with black curvy lines. Rubber is tied at the back with string through the holes at either side.

A light beige mask with a high protruding brow and double chin. There is light brown and white hair on top of the head of the mask and on the eyebrows which are accentuated with gold, red, and black curved lines in between. The oval eyes are cut out with curvy red, gold, and black lines. The pink nostrils outlined with gold are cut out. The red lips outlined with brown and gold are upturned with fangs and there is a lower jaw tightly attached. Long dark brown hair on strings flow down the sides.

Beater consisting of a wooden shaft and a rubber head. Shaft has a small knob at the head end and then two grooves around it below the head. It then tapers to another thin groove and another knob at the handle end. The rubber is in two sheets and is held around the shaft by two rows of nails.

Cylindrical brown coloured fibre case with green and orange fibre design sewn on the top. There is a large flap on the side of the case. When closed, the flap is secured with a small white button and fits into a fibre loop on the side of the case.

Golden wooden cube with circular hole bored in the centre--hole has two parallel wires running through it. Thick, twisted electrical cord runs from one side of the wooden square, ending in a plug.

A wooden male puppet (Zawgyi or Magician character) carved with black hair in a bun and a black hair for a moustache. He has an orange and yellow headdress decorated with sequins and glass circles. He is wearing a robe with a pink top that has a shiny floral pattern, and a pink and pearl-coloured robe with a swirl and zig zag pattern. His shoes are painted black. Attached to a wooden marionette handle with strings.

Porcelain cup with plastic lid. Cup is tall and narrow with angular indent at centre of body. It is decorated on the outside with a brown platform held by scaffolding; on either side of platform are banners, three to the left and five to the right that go up in a diagonal line from the base of the scaffolding. To the left of the design are two Japanese characters in black above one character in red. Lid is domed and undecorated black.

Doll (part a) that came in a glass case (parts b-c). The doll is a Korean drum dancer with her black thread hair tied in a bun at the back of her head near her neck with a green stick holding it in place, and a wearing a red headdress rimmed with yellow and decorated with a yellow feather-like decoration at the top and silver and blue metal flowers and gold and orange metal flowers along the sides with a pearl-like bead at the centre. She has pearl earrings. Her robe is green at the top with a red rim which has a gold floral pattern, and red at the bottom with a gold pattern. Her shoes are red and rimmed with gold. She is holding a red and yellow drum diagonally with her right hand and her left arm is curved upward and out. She is standing on a flat black rectangular wood base. Plaque on case reads: "Presented by / Korean Consul General / August 1985".

Two Korean bills attached to each other and covered in a plastic(?). The denominations are a green one-hundred hwan and a brown-black five-hundred hwan. The faces of the bill that are visible are the reverse of the one-hundred hwan with Independence Gate, and the obverse of the five-hundred hwan with Lee Sung-man.

Slender, curved, dark brown tusk-shaped object that tapers to a point. Object is carved and held vertically by a square black plastic base. The upper half is carved into the shape of a human with a tall, conical hat and hands clasped in front of themselves. The bottom half is carved with ornate patterns, giving the impression that the figure is standing on a pillar or pedestal.