The sheath is made of a folded piece of rawhide with quill work embroidery along the edge in alternating lengths of red, blue, black and yellow. A piece of soft buckskin is wrapped around the top as a panel or cuff. The added piece is decorated with quillwork; a white field with alternating triangles of blue and black, underlined with orange (formerly red?) arranged in rows. The top and bottom of this cuff are decorated with narrow borders composed of red and white triangles. The entire pattern is outlined with a thin blue line. The narrow borders continue part way around to the back of the sheath, but the quill work pattern does not. Tin cones dangle from the top two corners of the sheath from hide thongs wrapped with red and blue quills and from the bottom of the cuff on thongs wrapped with red quills. These thongs are threaded through the tin cones to form decorative loops that protect their ends. There is a native repair on the reverse side of the sheath.

This headdress was worn perpendicularly at the back of the head, not vertically on the crown, as is common with Native American headdresses of very similar style worn by the Yokuts of Central California. In general structure it resembles Pomo headdresses. Supplementary files: "Dance headress for a man; brown straight feathers rise out of a ruff of soft feathers. A quill pendant hangs from the front of the ruff. Condition: good."

Also has a number 33 on it. This pipe stem has very nice Sioux quillwork, very tiny and tight woven bands.

Probably Lakota because they were major quill workers, the bladder bag contains many dyed porcupine quills.

Possibly Lakota although many Plains women used such bags. . Women would use this small bladder pouch. It has bugle and basket type beads. It is holding a mixture of dyed and natural porcupine, very nice quills for sewing.

This fringe is made from a partially tanned strip of buffalo hide that is wrapped at the top with bird quills. Several lines of this quill wrapped fringe combine to form repeated blocks of color. Usually quillwork comes down longer. The top of the quilled section has a row of white beads that resemble olivella shells.Usually quillwork comes down longer.From left to right the blocks are: blue, black, and brown (perhaps once orange) repeated in sequence. .The shell beads are unusual and the porcupine quill and white beads come from over in the Minnesota area. It is too wide for a pipe bag. Possibly Mandan-Hidatsa area or Sioux.

Bequest of W.S. Morton Mead

This is a long, wood pipe stem. Half way along it is straight and undecorated. In the center a decorated section of porcupine quills, horsehair and bird scalp preceeds a twisted form.

Plain deerskin, double thickness woman’s belt with blue pony beads wrapped around both edges. Small black seed beads are used near the fringes. At one time the end fringes were wrapped with orange quills, now mostly dissappeared.

These leggings are constructed with a long "tab" at each hip, near the top and above each outer seam. Below these tabs the outer seams on the rest of both leggings are decorated with one vertical strip of porcupine quillwork on each, outlined with beads in red, white-centered red, and black. The small seed bead and the cornalined'allepo (the white-centered) beads are not usually found on garments this early. Long fringes ornament the outer seams and the base of each strand is wrapped with red porcupine quills. The top and bottom edges of the leggings have short fringes. Shorter tabs are sewn on the bottom. This is generally referred to as bottom tabbed leggings, a style that permitted the tabs to stream along after the wearer when walking, a fashion that existed for only a brief time.