Series of objects (parts a to d) showing the manufacturing of Tandu ware. Part a are the fragments of a clay form of a bottle. Part b is a round form of raw hide shaped over a clay centre. Part d is a raw hide bottle. Part d is a raw hide bottle with strips of black hide with fur attached to the outside; the fur is separated by orange and green leather strips.

Raven headdress, or mask, with long cedar bark fringe. Emerging from the top of the head is a short cedar bark fringe, as well as black feathers and two attached wooden wing panels. Two additional upright wooden wing panels are attached at the back, and one horizontal panel. The panels are carved in relief and painted black, brown and dark red on a black background. The beak is black, and mouth is red. The lower part of the beak is hinged with strips of hide(?), nailed in place, and a thin grey plaited rope is attached to the inside of the lower beak, and hangs down with the long fringe. The eyes are black, outlined in red and black on a white ovoid background; the brow is black. The inside of the headdress is hollow and lined with yellow foam on the upper portion. Two thick plaited ropes are nailed to the top, at the back, to hold the mask on the wearer. Attached along the top ridge is a twisted and dyed cedar rope.

Lyre with a wooden sound chamber covered in leather skin; skin secured with wire. Triangular wood frame extends from top of sound chamber, made up of two arms inserted through the leather and connected at the top by a crossbar. The crossbar is rectangular on either end, with notches that the arms are inserted into, and a cylindrical centre where the strings are attached. Three strings are fastened to three wooden pegs and lashed around the crossbar. The strings are fastened across the front of the sound box to a wire loop. All components of lyre are darkened to dark brown with the exception of the strings.

Begena stringed instrument. Square-shaped resonator, covered with stretched rawhide, which is nailed in place. Triangular wood frame extends from top of sound chamber, made up of two arms inserted through the skin and connected at the top by a crossbar. The crossbar is rectangular on either end, with notches that the arms are inserted into, and a cylindrical centre where the strings are attached. The strings are fastened across the front of the sound box to wood pegs. U-shaped leather pieces placed between each string and the bridge.

Masenqo or single-stringed bowed lute (part a) with bow (part b). The lute has a diamond-shaped resonator is made of four small wooden boards glued together, then covered with stretched rawhide, which is stitched together. The single string is made of horse hair, and passes through a wooden bridge. The hair is knotted to a large tuning peg. The bow (part b) is composed of a U-shaped piece of wood that has plaited plant fibre strung between holes at the ends of the wood, and then tied.

Round beaded staff with feathers and beads hanging from hide cords along the length. The staff is completely covered in beadwork, long stripes of animal fur and hide, so that the material of the staff itself is hidden. The top end has an elongated, off-white bird head carved in plastic (made to look like bone), ending in the pointed beak. A long hide thong attached along the side holds a combination of long brown feathers, and plastic beads on shorter thongs.

Pair of snowshoes (parts a-b) made of wooden frames with two curved crossbars. Babiche latticework between the frame and crossbars; latticework reinforced with plastic ties along frame. Shoes are rounded before tapering at the ends; shoes are flat. The frame consists of one piece of wood that has been bent into shape; ends are secured with nails below the front crossbar. Middle section of latticework is woven wider than front and back sections. Oval-shaped gaps in weave, underneath front crossbar, for feet; skin ties secured to sides of gaps. Decorative tufts of light blue, orange and dark purple wool are attached along the outer edges of frames, on front and back ends. Grooves cut into frame above wool decoration. The longer snowshoe (part b) has a knotted cord tied around the frame above the front crossbar, along the left side.

Ulu type knife. Metal blade is crescent-shaped with a beveled bottom edge. Blade held in place by bronze metal plates on both sides, that slot into the underside of the handle. Three copper nails have been hammered through the bronze plate into the blade to hold it in place, with the ends smoothed to blend with the bronze plate. The handle is a rectangular piece of horn, with a curved top edge. A hide cord is tied around centre of handle.

Harpoon (part a) with a detachable head (part b). Harpoon has a cylindrical steel shaft inserted into a wider wooden handle. Ends of wood are capped with copper(?). Hide cord wrapped around bottom end in a loose spiral, before tightening into a thick band; hide acts as a handgrip. Second hide tie knotted around base of metal shaft. Top of shaft tapers to a point, for head to fit on. Harpoon head consists of an oval-shaped blade, with a sharp point, welded to a triangular holder. Long rope line strung through hole drilled into centre of holder, creating a large loop. Rope is secured together at intervals.

Pair of boots made of wolf skin. Legs and vamps are covered in white fur, soles are light brown hide. On either side of the boot heels are two long hide ties, meant to be secured around the ankles. The top openings are edged with canvas-like material, through which is threaded a dark pink drawstring. Bottom edges of openings are trimmed with three decorative bands. Top rows have an alternating white and dark blue triangle motif; second are plain yellow; third are green with scalloped edges, with a shiny, gold-coloured diamond motif overtop. Interiors are unlined.