The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

Phillip Charette, whose Yup'ik name Aarnaquq was handed down in his family, is an artist who sees inspiration in traditional forms and creates visually potent statements using a variety of contemporary media. Historically, Yup'ik shamans used Amikuk masks in their healing ceremonies as a portal to travel into the spiritual world. Although the traditional style of Yup'ik mask was carved from wood, Charette uses a range of ceramic techniques to achieve the desired results and even models the clay to simulate the adze marks that appear on the surface of wooden masks. He researches every detail and each aspect has a symbolic reference. For example, the white paint around the eyes represent snow goggles and the red on the lips and interior of the nostrils represents blood, signifying the mask's strength, while the porcelain teeth are a reminder of the dangerous and powerful beings that inhabit the spiritual world.

Plains Indian people frequently made lightweight rawhide containers to hold a variety of objects. Flat envelopes and cylinders were the most common shapes, although the Lakota frequently made boxes. As part of their household duties, women laboriously made and decorated these containers from buffalo hide or cowhide that had been dried and scraped of their hair. Once the rawhide was processed, it was cut into a predetermined pattern and then folded and laced into shape. Painted geometric designs usually ornament the rawhide containers.