Pink and white lace head cover. The upper section is pink lace; the ends are pleated white lace with frilly trim. The smaller front pieces are sewn shut.

White blouse with lace yoke. The blouse has a wide round neck, short sleeves and long cuffed sleeves and full lower half. The yoke and upper sleeves are white lace. The inside is unlined.

Blouse or huipil consisting of three rectangular, cotton pieces hand sewn together. The panels are undecorated with the exception of red, green, orange, yellow and pink triangular patterns around the v-shaped neck and the top ends of the sleeves. There are four solid indigo bands that run vertically between the woven pieces and along the edge. There are arm openings along the top of the sides. The bottom edge is raw.

Cream blouse with embroidery. The blouse has a square shape with a round neck and no sleeves. Around the neck are green tendrils. On the front and back are large flowers in red, blue and yellow with green stems and leaves on cream ground. The inner lining is white cotton.

White garment with a rectangular shape, round neck and no sleeves. The neck is edged with orange and pink ribbons which hang down the back. The front and back are divided into three vertical panels by green ribbon. The lower centre and outside panels have rows of geometric shapes in red, orange, yellow and blue. The upper centre panel has a dense geometric motif in red, pink, orange and yellow. The bottom edge is unhemmed. The inside is unlined.

Garment (huipil), predominantly red, constructed of panels of off-white cotton with rows of drawn work brocaded with multicoloured bird figures, bands of multicoloured stripes, panels of brocade work featuring multicoloured zigzag and diamond patterns, and panels of geometric brocade work. The garment is divided vertically by vertical bands formed by horizontal multicoloured bands. The sleeve openings are edged with violet ribbon and coarse machine-made white lace with a green edge. The neck is emphasized by several appliqued green triangles.

Rectangle of light green rayon damask with two small floral motifs embroidered in shades of blue and outlined in metallic thread. Damask is woven in repeating patterns of pomegranates. The mirror image embroidered motifs are in the shape of peonies. Motifs are placed at the midpoint of the fabric, one at the centre of each half. Five Chinese characters written in black ink at one edge.

Skirt made of red rayon gauze damask, patterned with roundels of paired dragons, called “ssang-yang-mun-sa”. Skirt is formed of three and one-half loom-width panels, pleated onto white waistband with long ties, all made of ramie. The skirt opens completely at the back. At the top edge of the right panel five Chinese characters are woven with gold thread; below them are two parallel green bands. The left upper edge is pulled up very slightly into the waistband, thus raising the bottom edge at that point. One tie is detached from waistband.

White garment with striped pattern. The garment has a rectangular shape with a round neck and no sleeves. The neck is edged with red and purple ribbons which hang down. The pattern consists of red and white horizontal stripes with a pattern woven into the centre of the red stripes. The front and back are divided into three vertical panels by red ribbon. The upper centre panel has a dense geometric motif in red, pink, orange, yellow and green. The bottom edge is unhemmed. The inside is unlined.

Green tablecloth panels (part a-b) with sequins. The front has a four-petal floral and sun motifs in gold sequins on a green ground. A red character is painted in three of the four petals. The back has floral, butterfly and sun motifs in gold sequins and yellow dye on yellow-green ground. Across the top is a wide green band for suspension. The two panels are the same.