Large, wooden feast dish carved in the form of two matching, slightly-reclined Dzunuk'wa figures. They face each other with their hands clutching their bent legs; deeply hollowed centre. Thick black lines, painted over a grey background outline the anatomical forms. Mask-like faces are nailed onto hollow heads. Protruding ears are attached separately. Their lips are pursed and protrude, red eyes are recessed, large black defined eyebrows and high cheekbones are carved into faces.

Large carved, dark brown head with pronounced features like hollow cheeks and eyes, pursed lips, elongated slightly hooked nose and one thick double-arched eyebrow over both eyes. Back hollowed out: two joined pieces form oval tapering to base that has neck-like projection hollowed out in front. Forehead's centre has borehole; nails hammered into head's top; some red pigment on nose and temples; forehead, eyebrow, and nose are textured by small diagonal cuts in surface.

Rectangular wooden pole fragment. Carved in the bottom is a bear head with large ovoid eyes, a slightly protruding snout, teeth, a protruding tongue and pointed ears. Within its ear is a small human figure. Upon the animal’s head stands a human figure with an arm extended down to the figure in the ear. Pole is unpainted.

Dzunuk'wa (or Tsonoqua) figure with pursed lips and heavy eyebrows. The feast dish lid is painted black with white outlining the eyebrows, brown around the red-rimmed eye holes, white bordering the eye sockets, red nostrils bordered around the top with white, brown bordered with white under the cheeks and down the sides of the jaw, red at the temples, and red on the lips.

Tall square bentwood box (part a) with a slightly flared lid (part b). The front and back are painted red and black in different Northwest Coast stylized distributive designs. The front and back have complex designs. The side panels are painted with a black ovoid with a red line attached at the top right and bottom left corners. Box is adzed, kerfed, steamed, bent, last corner pegged, bottom pegged and nailed. The lid has traces of black paint and made of a single piece of wood.

Rectangular bentwood box (part a) with lid (part b). The front and back are painted red and black in different designs. The front and back have complex designs. The sides have the same motif of vertical sets of ovoids and u-forms. Designs painted in black and red with stylized forms. The lid has decorative brass studs on three edges; the studs on the front are all gone, except one.

Bentwood box in an unusual shape, with two square-shaped pieces connected by a narrow passage in the centre. The corners were bent, with the last corner, and base, pegged and sewn with cedar withe. Faded face painted at one end.

Naturalistic human head carved from wood and painted red and black, with traces of green. Large metal hook at the neck.

Carved wooden, crooked beak mask. The beak has long, exaggerated, protruding red nostrils with two large circular openings in the front. Running from the brow is a large, protruding, central black, rectangular shaped frill that projects outwards then curves downwards to the top of the beak. On the top edge of the head is a smaller, rounded, black frill that tapers into the top of the head. The mouth is red, flat and protruding. The underside of the beak is black; beak is hinged with a thin piece of metal wire. The eyes are small and outlined in black and red, surrounded by a large white, sunken, ovoid-like shape; the brow is black with red vertical stripes. Back of mask is slightly cylindrical in shape; around the top, side and bottom edges are twisted pieces of cedar. The inside of the mask is hollow with the exception of pieces of fibre twine to articulate the beak; bundles of small branches with cedar strips and a piece of eagle down. The mask is painted black, white and red with Northwest Coast stylized forms.

Long, wooden feast dish carved in the shape of an animal with a deep, oval shaped bowl in the middle. The tail is paddle shaped and curves downward to join the body; it’s legs are carved in relief against the body, the feet support the bowl. A human face with a downturned mouth is painted on the tail followed by a repeating pattern of red, white and green u-forms. The exterior rim of the dish is painted with a continuous pattern of alternating green and blue ovoids on a white band. Painted on each shoulder is a face in profile. Has been badly broken, and repaired.