Large, wooden ladle with large, deep bowl, conical in shape. On the end of the short handle there is a carved representation of a human head with drilled eyes, pronounced forehead and cheekbones, along with protruding nose and lips.

Large square bentwood cooking box with uneven upper edges. The joining corner and bottom the bottom are sewn together with strips of twisted cedar rope.

Tall square bentwood box (part a) with a slightly flared lid (part b). The front and back are painted red and black in different distributive Northwest Coast stylized designs. The sides display a large black circle with a four pointed design inside. The joined corner is held together with wooden pegs.

Tall square bentwood box with black and red painted Northwest Coast stylized distributive designs. The front and back have complex designs; the sides have two sets of thinly outlined black ovoids. The box is pegged together at the side seam and on the bottom. Base is split and joined with nails. There is no lid.

Pole of T’st’entsit. Carved in high relief out of cedar wood. Crest figures from top to bottom: mythical woman; Kulus (related to Thunderbird); sisiyutl (double-headed serpent), its horns now missing; human form of sisiyutl, holding a copper; Gwa’wina (raven). The large protruding beak of the raven has been attached. The entire surface is painted in black, white, green and red.

Wood house post carved in high relief; crescent shaped in cross section. Depicted from top down are: sea lion in profile with bared teeth; bird with a circular head and a downturned mouth; whale in profile in the talons of the bird; bear with protruding ears. All of the figures are carved within the pole.

Wooden northern style canoe with a Haida design painted on the outside. The canoe is painted black with Northwest Coast stylized designs on the ends in red, white and black. Depicted on each side is a Killer whale with its head and dorsal fin on the prow and the body and tailfins on the stern. There is a red border around the upper edges. The ends sweep upwards. The prow is grooved to hold a harpoon or mast and has a vertical fin to cut through waves. The interior is also painted black and has three rectangular bench seats.

Feast dish representation of a seal carved from a single log with the body deeply hollowed to form the bowl. The seal's face has carved ovoid eyes and crescent-shaped nostrils. The body is decorated with horizontal adzing except above the forefeet where vertical adzing suggests legs. Adzed fluting surrounds the rim of the bowl. Between the hind feet is a smaller bowl at the end of which is a small carved face. There are supporting legs under the rear of the body. The seal has traces of black, red, white and green paint.

Long, wooden feast dish carved in the shape of an animal, with a deep, oval shaped bowl in the middle. The tail is paddle shaped and curves downward to join the body; it’s legs are carved in relief against the body, the feet support the bowl. An abstract design is painted on the tail. The exterior rim of the dish is painted with a continuous pattern of alternating opposing pairs of white semicircles with inset green triangles. Both sides of the object are painted with a large human face with a downturned mouth - the face is outlined in blue on a white background. Has been badly broken, and repaired.

Carved, wooden feast dish in the shape of a crouching wolf with its back hollowed out to make a long, deep bowl. Black and white painted ovoid denotes shoulder joint. The eyes, nose and teeth are carved and painted black and white. The paws are carved and act as support to the bowl. Sides are finely adzed in horizontal lines, while the interior is more boldly hollowed out to form a huge dish. There are two square holes on the head, probably for the attachment of ears. The bright paint appears to have been added later as there are older, very faded, images along the side of the dish.