Large, flat bottomed jar covered with rounded sides and a sloping neck. Jar is covered with rattan rigging; seven horizontal bands of three-element twisted rattan held together with many vertical, split and braided rattan spacers. Dark film overall.

Part a is a long knife with a single-edged metal blade. Has a convex edge, slightly concave back to within 6.5 centimetres of point when it becomes convex and angles to a point. Green-stained wood pommel has two extensions, the longer one of which is at a right angle to the rest. On this, there is a low relief splayed human, face down, hugging the pommel with a floral pattern and incised geometric shapes. Both extensions are fitted with beige hair pieces, possibly horse hair. These pieces are circled with red and black dyed hair rings at the bases. Haft is wrapped with plaited metal inset, with hardened fibre and resin mixture? Sword fits into a larger wood slot of the sheath (part b) formed by two pieces held by a series of bamboo strip lashings along the length. Sheath lashed to a smaller hide sheath formed from a piece folded together along the length. Woven bamboo loop handle and woven bamboo and twined nylon rope handle with attached crescent-shaped wood piece. Part c is a smaller knife that fits in the hide sheath. Slightly curving dark brown wood haft with a silver metal band inset in wood, fibre, and resin? Incised scrolled character and lettering (Bujang nl 9). Double-edged convex metal blade, concave back to 5 centimetres of point where it becomes angled, both concave and convex to a point.

An oblong-shaped mask in blackened wood with cut-out eyes and mouth. Two small bumps on the forehead. Large eyebrows. Top of the head, the upper lip, and the jaw areas have been plastered with red clay, and gum, painted over in black, inlaid with cowrie shells, and human hair, held in place with glue.

Animal horn instrument. The horn is wrapped with leather at the base and carved with eight grooves at the tip. A hole is bored through to the centre from the outside midway between the leather and the tip.

Natural branch carved at one end to reveal the light wood. Other, broader end retains darker bark and is painted with hardened acacia gum.

Hardened triangular sample of black glue.

Metal double-barbed point (a) with a metal shaft wrapped in sinew and inserted into a hollow section of sinew-covered bamboo. Into this is fitted a mid-section of carved wood which is pointed at both ends. A bamboo shaft (b) wrapped with sinew at both ends. The posterior end is notched. The anterior end forms a socket which fits over the lower point of the metal shaft.

A straight, brown stick, sharpened at one end, the opposite end is forked and has a small branch with hardened acacia gum. The bark of the branch has been removed in two places exposing the lighter inner wood. The gum is a transparent brown.

Mask with red-brown humanoid face with a three-tiered headdress of overlapping petal-like forms. The face has heavy arched eyebrows that curl at the outer ends. The eyes are protruding and somewhat conical with rounded tops. The large nose has a bulbous tip and flared nostrils. The lips are drawn back from the teeth and are outlined with a black jagged design. Two upper and lower rows of pointed teeth are exposed with curved fangs at either side, and a tongue hangs out the front of the mouth. There is a rectangular motise hole at either side of the head, each with three small holes at top, bottom, and towards the front of the mask.

Axe with handle made of one piece of wood that has been hafted in a bent splint, reinforced with resin and bound with plant fibre string. Handle tapers toward end; stone axe blade affixed between wood by resin.