Tall, freestanding sculpture carved of wood. A female wearing a white mask embellished with painted lines and crescent motifs holds an axe aloft in her right hand. She wears a shell and sago fibre necklace around her neck, and a short sago skirt at her waist. Atop her head is a large sea bird painted in shades of light brown, with wings stretched up and out, beak and talons grasping a fish attached to the woman's forehead. The woman sits on the shoulders of a male figure, painted dark brown, who grasps her legs, wearing a large crocodile mask and a feathered loin cloth around his waist. He stands on a small round base carved as a turtle. The eyes of all the figures are shell.

Wood carving of a man with drum, snake and bird. Man wearing a mask with prominent teeth and a shell headdress stands in a dance position, holding a kundu drum with handle in one hand and playing it with the other. A burlap skirt sits at his waist, and his ankles and wrists are decorated with loops of twisted rope. His left foot balances on the head of a large snake, its tail extending up past his shoulders and spanning the back of a large white and black eagle that stands on the man’s head. The eagle’s wings are slightly spread and it looks to the left with beak slightly open. The eyes of all figures are made of shell. The base of the sculpture is rounded, with the signature “Sebbie Dumoi” painted in white.

Tall wood carving of three figures. A man sits on the rounded base, hands on widely spread knees, wearing a large mask on his head, the chin of which extends to his feet. It is painted white on brown with a long nose, bulging eyes, and a long pointed top. On the man’s shoulders stands a woman also wearing a mask, smaller and more delicately decorated. Both wear grass skirts and twisted fibre decoration around their limbs. Perched on her shoulders is a large bird with a massive rounded beak, it’s tail extending down the back of the carving. All figures have eyes made of shell.

Finial derivation. Tall, standing carving of a group of figures. On the round wooden base a small masked woman stands with legs slightly crouched, hands by her sides, twisted rope decorating her waist, ankles, wrists and ears. A large decorated shield stands behind her, facing the opposite direction. It holds a large face, circular motifs along both edges, and twists of rope. A second masked woman balances on the shield, similar in appearance and decoration to the woman below, but taller. Standing on her shoulders is a large tan bird with a huge curved beak, its tail resting on the shield. It too is decorated with twisted rope. The eyes of the bird, women and face on the shield are made of shell. One of the twisted fibre cords is made of red and green strands.

Large wood mask representing a skull. Mask has a long face, with protruding chin, open mouth showing even teeth on top and bottom, a relatively small nose, and large bulging eyes. A ridge spans from nose to top of head, and to either side on forehead are horn nubs. The face is painted extensively with swirling patterns primarily in white on a dark grey base, with yellow and orange embellishment. Ears are large and painted grey. A beard and hair of straw hang from the chin and around the opening into the mask. Small braids of the same are threaded through holes in the ears, with each ear holding a circular earring attached to a group of braids.

Wood carving of a man, woman, newborn child and bird. The woman crouches in a birthing position, a baby emerging from behind her grass skirt. She wears an elaborately painted mask, and holds her arms above her head where a long bone is grasped between her hands. A large white cockatoo bird sits on the bone near a cup that the woman holds in her left hand. A man stands behind her with hands on her wrists. He too is masked and wears a skirt of braided grass. Man and woman both have long twisted fibre for hair. All figures have eyes made of shell. The base of the sculpture is a rounded circle of wood.

Tall wooden sculpture of female figure, bird and snakes. Figure has a human torso with a long, eel-like tail in place of pelvis and legs. A large snake is wrapped around her waist and bites her tail at front. The woman wears an elaborately painted mask with an ornate headdress extending from the top. Upon it is wrapped an orange snake gripped in the beak of a large grey and white bird with a yellow head and beak. The figures balance upon a thick, rounded base.

Golden, bronze and chocolate-brown cassowary feathers are attached at the base to a cone of bees wax adorned with coix seeds. The base of the feathers emerge from the point of the cone and are tied together with sago leaf fibres and bast string which are attached to a 7cm-long thin, pointed piece of wood.

Woven belt consists of yellow-brown and dark-brown plant fibres woven to form horizontal zigzagging lines. On top are two plaited, crossing cords which form four diamond patterns. This is bordered and interspersed by rows of threaded coix seeds. On the left-hand side is a tassel of ruddy-brown sago-leaf. The right side ends in a tightly braided loop, while the left connects to long woven braids of sago leaf. There are two loose ties where this long braid is woven into the patterned section.

Woven belt has ten rows of light and dark sago leaf strips that have been woven over the top of ruddy brown sago fibres, forming diagonal lines. Two criss-crossing braids of these three colours are attached above this, forming diamond shapes. One end is a thick braided loop, the other has three ties: a thicker, longer one in the middle that culminates in a knot and fraying strands (with two rubber bands around it); and two thinner, shorter braids that end in loops.