Sealskin mat with ookpik design. Round fur mat is divided into 8 pie-shaped sections in alternating dark brown and light brown fur. Each triangle has an ookpik shape sewn into it in the opposite colour fur (4 light brown sewn into dark brown, 4 dark brown birds in light brown fur). Each ookpik has felt eyes of black and yellow circles, a beige felt triangular nose, and 3-toed felt feet attached. There is a small sinew loop at the top for hanging.

The felt is pink, blue, purple, and yellow. The bead is red, pink, green, brown, blue, white, black, and orange. The yarn is black. The thread is black, white, and red.

« The Speck collection contains nine tobacco pouches. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.12. « The remaining seven tobacco pouches are rectangular in shape and close with semi-circular flaps. » Ibis « Two pouches from the neighboring Chicoutimi band are made of imported sealskin. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.13. « The second sealskin pouch has a floral ornament in green, yellow, blue, red, and white beads on the flap and on the back, where there is also a beaded wheel-like design. Around the edge of the flap are small loops of yellow and white beads (fig. 20e). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.13, fig 20e (p.48). « Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10.

« The Speck collection contains nine tobacco pouches. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.12. « The remaining seven tobacco pouches are rectangular in shape and close with semi-circular flaps. » Ibis « Two pouches from the neighboring Chicoutimi band are made of imported sealskin. The largest of these is edged with dark green cotton tape and ornamented with floral designs in red, pink, white, and yellow beads on the flap and on the back. Around the edges are small loops of red beads (fig. 22a). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.13, fig 22a (p.50). « Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10.

Sealskin pouch. Small bag is rounded on bottom with a flap covering the opening at top. No handles are present. Bag is made from light brown leather with dark brown piping at the edges, and circular and square patches of the same set at regular intervals on front and edge for decoration. A curved piece of bone, flattened on front surface, serves as a handle for the flap and is etched and painted with the silhouette of a seal. A tie is attached to two of the decorative circles on the front, which loops over the bone to hold the pouch closed.

Ookpik. Toy owl made from light yellow seal skin on front and brown on back. Head is large, body flares out slightly at shoulders. Eyes are circles of leather, with a brown leather triangle serving as a beak below. Feet are also leather and have three toes. Suede base is round and stitched to body with black thread.

Ookpik. Toy owl made from seal skin, a light brown-yellow on front and brown on back. Head is large, body flaring out slightly at shoulders. Eyes are large circles of leather, with a small leather beak below. Feet are also leather and have three toes. Suede base is round and stitched to body.

Ookpik. Toy owl made from brown seal skin, with hair directed downward on front and up at back, causing bird colour to change slightly. Head is large, body flaring out slightly at shoulders. Eyes are large circles of leather, with a small leather triangle below to serve as a beak. Feet are also leather and have three toes. Suede base is round and stitched to body.

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art.

Model kayak. Thin pieces of bent wood tied together with sinew make a rigid interior frame that is covered with a single piece of stretched hide, sewn together along the top of the kayak. Two harpoons (?) with wood handles attached by sinew to bone heads are held to the model in front of the cockpit, strapped in place by two thin, horizontal deck lines of hide. A carved piece of bone is positioned directly in front of the cockpit. Two holes have been bored through its base, which hold the deck lines in place.