Male figure playing a harp. Male figure (part a) wearing knee-length black robes with a white tie at the waist and a necklace made of white and red seeds. Both arms and legs are moveable. The large harp (part b) has two feet and is strung with nylon. The figure has large hands with long fingers, and an open mouth in which a dark brown wooden pipe (part c) fits. The figure stands on a wooden platform (part d), which has been painted white on top, and has four leather loops for footholds.

Ankle or wrist ornament on a plaited coconut fibre cord. The ornament consists of numerous black (koku) seeds bound by twisted strands of coconut fibre. The upper ends of the coconut fibre are then woven into the plaited cord. (Small piece of tape with collector's number attached to cord.)

Shinje Taita or Father Sun dancer figure. Male figure (part a) wears long grey tunic, beige pants and shoulder wrap, and blue wrap across the opposite shoulder. The figure wears a red mask with black eyebrows, and prominent pursed lips. Headband across top of mask alternates yellow and green squares, and has several feathers protruding upwards from. Figure wears beaded necklace, alternating from red seeds to long wooden canine teeth. Figure holds a red spear in his left hand (part c), and a yellow bell (part d) in his right. Arms move at the shoulder, and legs at the hip. The wooden base (part b) with two leather footholds.

Small square purse. Two pieces of dark green cotton have been sewn together on three sides to create the small bag. A single piece of wool floss is attached at both sides of the mouth to make a handle, and the same is bunched to make small tassels at each corner. Bag is decorated with lines of zigzag stitching in a variety of colours and sizes. At bottom edge and top corners, strings of small white seeds are sewn into the seam and hang as fringe. The same seeds make a cross pattern on the bag, front and back. Interior is unlined.

Carved wooden figure. Figure's arms are down at side with legs slightly apart. The hair and eyes are made using seeds. There is a feather wrapped around the figure's right arm, and pieces of animal skin tied around both the neck and waist. The figure's right ear has a small hole in it - possibly indicating a piercing?

Male figure playing a trumpet. Male figure (part a) wearing long black robes with a white tie at the waist. He holds a trumpet (part b) in his right hand. His mouth is opened wide. The figure has a nylon string of seeds around his neck, alternating between white or red and black seeds. Both arms and legs are moveable. The figure stands on a wooden platform (part c), which has two leather loops for footholds.

Headdress of vibrantly coloured macaw, toucan and parrot feathers. Long bright blue feathers create a brim at front of headdress, coming to a point at centre. These are topped by a layer of shorter green and yellow feathers. Above the brim stands a crown of feathers arranged around the circular headband, very tall at front centre and shortening toward sides, lined in front with a set of shorter green and red feathers matching those on the brim. The bark headband is covered with small multicoloured feathers, with red fibre at the bottom. Three tall feathers stand upright on the rear of the headband. Below are tied several long strands of fibre, some threaded with small white glass beads. Intermittently down each strand are attached feathers in various sizes, some in small groupings gathered at their quills by short lengths of palm tubes, as well as elongated, dark brown seeds. Together the strands create a dense layer down the back of the wearer. To both sides of the headband are attached a string of seeds, ending in a flower shape, created by green, white and red feathers.

« The Speck collection contains nine tobacco pouches. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.12. « The remaining seven tobacco pouches are rectangular in shape and close with semi-circular flaps. One pouch, made from the skin of a moose's leg with the hair on, has a moose skin strap attached to the center of the flap and is ornamented with a short, single row of multicolored seed beads on one side (fig. 20f). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p13, fig 20f (p.48).

Ten strand shell wealth (tafuli'ae). Very long strands of shell discs are strung on nylon string, with tassels at each end. Most of the shell discs are approximately 0.8 cm diameter. At the centre is a 14 cm long red shell section woven in a net-like pattern. The colour pattern of discs for each side, from there to the ends, is mirrored. At each end of the central design there is a thin bar (clam shell?) drilled with ten holes. The nylon fibre goes through the holes and then forms ten strands of shell discs going off in both directions. The next section (on each side) starts with several white and black discs, then has all dark red and orange-red discs for 18-19 cm. Then a white and black striped section goes on for 21-22 cm, ending in another thin bar with drilled holes. On the other side of the bar the pattern is repeated with the red section. However the next black-white section runs for approx. 36 cm. and the black discs are of a smaller diameter. There are also three stripes of reddish discs incorporated into these last sections. At the ends, the blue string is knotted together, with four half seed pods and red cotton tassels attached. The rest of the blue fibre is braided into a single tail, with the end knotted and singed.

Carved hook. Large round face, flat in profile, sits on top of object, with protruding eyes made of seeds below a pointed brow, with scale-like carvings on forehead and cheeks. Nostrils are wide, mouth is small. Long strands of twisted plant fibre are tied through the narrow ears. The long neck is carved with circular and scale-like motifs, and connects with a large triangle below, its upper corners sharply carved into rounded spikes. A face with inset shell eyes and a smiling mouth with prominent teeth is carved into the wood. A tie of plant fibre is set through the nose. At bottom is a hook in a half circle shape, top corners elongated and curved into spikes mimicking the triangle above. It too has a carved face, with nut eyes, brow and cheeks carved with scale-like half circles, and a plant fibre tie through the nose. Mouth at bottom is wide, smiling, showing many prominent teeth. The back of the object is similar to the front.