Skirt made of black gathered wool with horizontal bands of red, blue, white, yellow, blue-green, light green, dark green and light red embroidery of butterflies, diamonds, flowers, zigzags, separated by horizontal pleats. The waistband is of red, white, and green plaid fabric with ties at the ends and two side plackets outlined in light red. There is an orange embroidered ribbon at the bottom with birds and flowers in purple, yellow, grey, and green. A narrow green band at the hem is embroidered with repeated circles in white. The hem is finished with off-white wool facing on the reverse.

Stone thrower sling. Ends braided of black and brown wool; one end looped. Central panel composed of parallel woven segments; one of four black ribs and one of four grey ribs, joined at either end to braid ribs.

Woven belt with blue edges. Finished with one braided end with braids sewn together and one loom cord end. Thin woven ties in same colours attached to both ends. The belt is warp faced and warp patterned. The pattern weave is a three span float complementary weave in the pink and maroon area and reverses on the other side. Overall pattern is diamond shaped. Three green and yellow strips in same pattern near edges and in middle. The commercial wool has an extra twist added by hand spindle; white yarn is a two ply handspun yarn.

"The Raven Dances with Frogs" robe. Hand-woven chilkat style child's robe, shaped like a horizontal rectangle on three sides, with the lower edge curving downward to the centre. Long warp fringes of brown and white yarn along the lower edge tapered to be the longest at the centre, with supplementary fringes of white yarn. Main panel is composed of complex formline design in black, white, yellow, and turquoise, outlined in narrow black and white braids, a wide surround of yellow, another band of braids, and an outer surround in black. Double band of braids of brown and white yarn at each side, ending in four bands of wrapped yarn, two black alternating with two yellow. The main panel has a rectangular human-like face at the centre front, above which are two yellow eye forms containing frog faces. Below the rectangular form are two inverted eye forms, beside which are feet with claws. Above these on each side are two more eye forms in yellow. At the midpoint of each side edge is a rectangular profile human-like face looking inwards towards the centre. Throughout the robe the braid outlining is raised from the finely-woven surface, making it three-dimensional. Only the major designs show on the reverse, not the braids.

A pair of protective sleeves (mangas, maquitas) knitted in hand-spun sheep’s wool, including undyed (black and white) and colours dyed with aniline dyes. Geometric designs predominate, plus figurative foxes.

Wasa watana (hair tie). A hair tie that is made in a mixture of techniques: oblique interlaced bands with zigzag embroidery for the main band and woven bands made in complementary warp weave that intersect with the main band. Each end has two intersecting bands, and two of those also have intersecting bands. Each end has three tassels made of three bands. Most of the secondary intersecting bands are braided. Combination of techniques used: braiding, weaving and embroidery.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by adding intersecting warps that are woven as separate bands. Warp fringes. Each end has one intersecting warp band, which makes a tassel with three woven bands. Alpaca and sheep’s wool, finely spun.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. The added bands also have intersecting warps that are woven, but the two ends do not have identical numbers of bands. Warp fringes. Alpaca and sheep’s wool fibre. Spinning is fine and hard twist.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. Warp fringes. Alpaca and sheep’s wool, very finely spun. Each end has 4 intersecting warp bands.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by groups of intersecting warps that are woven as separate bands but are then folded and sewn to the main band near the ends. Tassels sewn onto the main band. Edging of small white beads on the edges of the main band and the tassels; the beads were threaded on the weft before weaving. Warp fringes. Alpaca fibre, finely spun, with wool.